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Rising Decals ~ Flight of No Return

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This newly issued decal sheet from prolific Japanese subject producer Rising Decals presents a selection of markings for 12 different and colourful aircraft from the Army special attack units -  tokubetsu kōgeki tai特別攻撃隊 or tokkōtai特攻隊', as set RD72076 'Flight of No Return'. This sheet provides decals for the following subjects:-
  • Ki-45 Kai Hei of 8th Hakkô-tai 'Kinno-tai' - as flown by unit leader Lt Takumi Yamamoto with tail number '1' in an overall single colour scheme for which Rising suggest Gunze Mr Color 130 Drak Green (Kawasaki) or 304 Olive Drab or Dark Green prepared from a mix of
  • Ki-45 Kai Hei ditto but with tail number '9'
  • Ki-45 Kai Hei of 11th Hakkô-tai 'Kokok-tai' as flown by unit leader 1Lt Kyoichi Miura with tail number '1' in similar overall single colour scheme.
  • Ki-45 Kai Hei ditto but with tail number '10'
  • Ki-43-II of unknown tokko unit in solid dark green over natural metal with fuselage number '413' photographed at Chiran, Japan in April 1945
  • Ki-43-II of unknown tokko unit in mottled green over natural metal with red lightning flash on fuselage and rudder number '17'. The yellow tail insignia is similar to Hiko Dai 103 Sentai, a unit more usually associated with the Ki-84 Hayate but which reportedly used Hayabusa for training - and possibly special attack. 103 operated as part of the 3rd Attacking Group during the Okinawa operations, together with 65 and 66 Sentai and two other Shinbu-tai, sortying aircraft in special attacks against US surface units from Tokuno Shima on 29 March and 1 April 1945.  
  • Ki-43-II of 19th Shinbu-tai as flown by 2Lt Tadahiko Inoue in solid dark green over natural metal with tail number '82', at Chiran, Japan for Okinawa operations in April and May 1945  
  • Ki-84 of Hiko Dai 101 Sentai as flown by S/Sgt Nobuo Saito depicted in olive drab over grey-green with tail number '82'. This was another Hayate unit associated with special attacks during the Okinawa operations, forming the 2nd Attacking Group at Miyakanojo with 102 Sentai and two other Shinbu-tai. The finish on this aircraft was heavily worn, with large areas of complete paint loss, so it would make a challenging but interesting subject to model. 
  • Ki-84 of 197th Shinbu-tai 'Seiki-tai' in olive drab over grey-green at Kita ise in Spring 1945. This aircraft is distinguished by the large representation of Momotaro the Peach Boy on the fin and rudder. 
  • Ki-48-11 of 25th Makoto-hikotai in mottled green over grey-green at Jurinko (Shulinko), Taiwan in May 1945.
  • Ki-51 of unknown but presumed tokko unit photographed post-war at Omura with skull and crossbones on fin and rudder. The kanji characters 'Shidou' - (士道 - chivalry) on the tail are speculative. 
  • Ki-61-Ib of 56th Shinbu-tai as flown by 2Lr Ryoji Uehara in camouflage of dark green whorls over natural metal with white number '696' on nose, at Chofu in May 1945. 


    This is an interesting sheet providing the opportunity to model several unusual subjects and to inspire further research into the operations of these, often enigmatic, special attack units. With special thanks to Mirek of Rising Decals for this review sample.

     Hiko Dai 101 Sentai Ki-84 of S/Sgt N Saito (foreground) showing extensive paint wear

    The Hakkô-tai (八絋隊 - eight directions unit, from Hakkō ichiu'eight crown cords, one roof' a saying attributed to the Emperor Jinmu and interpreted by nationalist Chigaku Tanaka to mean Imperial rule divinely ordained to cover the whole world) were those special attack units organised in the Philippines by the 4th Air Army from 7 November 1944 to 13 January 1945. The Shinbu-tai (振武隊 - showing martial spirit unit) were special attack units organised in Japan under the 6th Air Army whilst the Makoto-hikotai (誠飛行隊 - fidelity/loyalty air unit) were special attack units operating under 8th Air Division command on Taiwan, both engaged in the Okinawa operations. 8th Air Division came under 1st Air Army (Japan) command. The 6th Air Army was formed on 26 December 1944 from the Air Training Army, sometimes referred to as the Air Instruction Army. It originally had three roles, the air defence of Japan, to attack US bases in the Marianas and to prepare for the defence of Japan against invasion by attacking the invasion forces. By February 1945 due to practical limitations its role had been reduced to providing a strategic reserve against enemy invasion task forces only. In March 1945 the 6th Air Army was temporarily deployed to the operational command of the IJN Combined Fleet for the defence of the Ryuku Islands (until July) and centralised its operations from Kyushu. Its provisional defence duties (against invasion task forces) in the Kanto sector were taken over by the newly established 30th Fighter Group (Dai 30 Sento Hiko Shudan - 第30戦闘飛行集団). 

    As mentioned previously here 30th Fighter Group then came directly under General Defence Command and consisted (originally) of Hiko Dai 47 and 244 Sentai, the 18th, 19th, 25th, 45th and 47th Shinbu-tai, Shimoshizu Hikotai & Dokuritsu Hiko Dai 17 Chutai (those two units providing reconnaissance support), plus three guide bombers from Utsonomiya Air Instruction Division and two navigation air squads. In July 1945 when 6th Air Army reverted to the air defence of Japan role headquartered at Fukuoka it had about 1,000 special attack aircraft under command in various Shinbu-tai as well as the 30th Fighter Group which then consisted of Hiko Dai 59, 62 and 244 Sentai plus Dokuritsu Hiko Dai 17 Chutai. Other units under 6th Air Army command at that time were 11th Air Division with Hiko Dai 55, 56 and 246 Sentai, 12th Air Division with Hiko Dai 4, 47 and 71 Sentai, 100th Air Brigade with Hiko Dai 101 and 103 Sentai, and 7th & 21st Air Brigade HQs. In addition under direct 6th Air Army command were Hiko Dai 2, 60, 65, 66 & 110 Sentai, plus the whole of the 51st Air Instruction Division headquartered at Gifu.

    Hiko Dai 62 Sentai might seem an odd addition to 30th Fighter Group but after returning to Japan from the Philippines in January 1945 it was designated as a tokko unit with specialised Ki-67 Sakura-dan and To-go (800 kg x 1 in bomb bay and 800 kg x 1 in fuselage) aircraft, participating in the Okinawa operations and incurring heavy losses. On 12 April 1945 Sentai Commander Maj Shozo Sawanobori was killed in a flying accident with 10 other Sentai personnel during a move from Nishi Tsukuba to Tachiarai whilst on board the 1st Chutai leader Capt Yasumasa Iwamoto's Ki-67. Maj Yuzaburo Ono became the unit commander until the end of the war.  

    Image credits: Decal instructions and sheet © 2018 Rising Decal



    More Avimodel 1/72 Claudes

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    In something of a current modelling 'Claudefest' in both scales, Avimodels, designed by Rising Decals, have released two more Claude variants in 1/72 scale. The Mitsubishi A5M2b (above) AVI72003 is the enclosed canopy Claude which comes with three markings options as shown below. The decals, all for 12 Ku in China, are well chosen with a Houkoku-emblazoned bird in classic silver and red, a red-legged aircraft with the sliding canopy removed and another Houkoku-emblazoned machine camouflaged in green and brown.


    This is a unusual variant which saw limited use and will make an interesting comparison display with the Ki-27 'Nate'. The canopy on this one is injection moulded and very clear.


    Also released is the two-seat trainer variant A5M4-K AVI72004 with two markings options as shown below. An Oita Ku example in dark green over orange-yellow with spat-stripped undecarriage and an overall orange-yellow bird from  the same unit. 



    The two windscreens for this one are also injection moulded. Instructions warn that these kits are produced with short-run technology and intended for experienced modellers only.


    Finally, in their accessory series Rising have released a pre-painted photo-etched instrument panel sheet (above)to go with their A5M1-3 kits - RDAcc-018. The sheet includes a set of seat belts too. A resin Kotobuki 2 engine for the A5M1 is also on the way.

    With special thanks to Mirek of Rising Decals for the review samples.

    Image credit: All © 2018 Avimodels & Rising Decals

      

    Update ~ Rising Decals Ki-45

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    In response to a query have updated the Rising Decals 'Flight of No Return' review with paint ratio correction and clarification for the "Dark Green" Mr Color paint mix cited for the Ki-45 subjects. The Mr Color paint mix as suggested by Hasegawa results in a rich olive brown presumably intended to represent the # 7 colour. Note that the colour as mixed and depicted by Hasegawa (below) is not a "reddish brown". The subject of "brown" Toryu (and Ki-46) will be addressed in more detail in a future blog.


    Image credit: Paint chip © 2018 Aviation of Japan; Box Art © 2014 Hasegawa Corporation via Hobby Search Japan

    Tetsuya Inoue's Ki-61-II 'Bubbletop' Project in 1/48

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    Since I blogged about 'Tets Research Institute' and the Ki-61-II 'Bubbletop' project of Tetsuya Inoue in June last year, he has been continuing to work his magic as a master modeler and miniature engineer. Bearing in mind the scale of his model - 1/48 - the painstaking work involved is nothing short of awesome. The latest progress is described and pictured here


    Do visit Tetsuya's blog and prepare to be inspired and amazed, not just by the detail but by the absolutely convincing painting too. Did I mention the scale is 1/48? I have a sneaking suspicion that Tetsuya has a one and a half tall pilot waiting patiently in a dispersal hut to climb into this aircraft and test fly it when it is completed!


    With special thanks to Tetsuya for alerting me to the progress report.

    Image credits: All © 2018 Tetsuya Inoue 

    Congratulations Royal Air Force ~ 1918-2018

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    Congratulating the Royal Air Force on their Centenarytoday, as yesterday was Easter Sunday.

    Never since English ships went out
    To singe the beard of Spain,
    Or English sea-dogs hunted death
    Along the Spanish Main,
    Never since Drake and Raleigh won
    Our freedom of the seas,
    Have sons of Britain dared and done
    More valiantly than these.

    Whether at midnight or at noon,
    Through mist or open sky,
    Eagles of freedom, all our hearts
    Are up with you on high;
    While Britain's mighty ghosts look down
    From realms beyond the sun
    And whisper, as their record pales,
    Their breathless, deep, Well Done!

    Alfred Noyes (1880-1958)
     
    Image credit: English Electric via Sqn Ldr J S Millman MBE


    Lifelike Decals Trio of A5M Sheets in 1/48

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    Definitely falling into the category of a Claudefest, Lifelike Decals have recently released three sets of decal sheets featuring no less than 38 different markings schemes in total for the iconic Claude, a veritable cornucopia of colour.


    Set 48-053 Mitsubishi A5M Part 1 features 12 marking schemes, predominantly of A5M4 variants, as follows:-
    1. A5M2b early, 3-154, Houkoku-125 (Daiichi Sumitomo Go) of 12 Ku, Kong Da, China, 1938 - a closed canopy aircraft in silver and red with a camouflaged cowling. 
    2. A5M4, W-100 of Flight Commander, Soryu Fighter Group, probably Japan, December 1939 to early 1940 - in silver and red with black and white trim and black wheel spats.
    3. A5M4, W-107 of Soryu Fighter Group, Fall 1940 to Spring 1941 - in silver and red with narrow red fuselage band and yellow tail stripe.
    4. A5M4, 9-151 of Lt Motonari Suho, Buntaicho in 14 Ku, Naning, China, December 1939 to early 1940 - in silver and red with red and white fuselage band.
    5. A5M4, K-112 of Kaga Fighter Group, South China Sea, late 1938 - in silver and red with blue fuselage band. This aircraft also has a red longitudinal fuselage stripe.
    6. A5M4 of Flight Commander of Akagi Fighter Group, Yokosuka, Japan, November 1939, possibly flown by Lt Cmdr Shogehachiro Tokoro - in silver and red with white trim
    7. A5M4, T-152 of Tsuiki Ku, Tsuiki, Autumn 1942 - in silver and red with blue fuselage band.
    8. A5M4, CII-102 of Hosho Fighter Group, April 1941 to March 1942 - in silver and red with red longitudinal fuselage stripe.
    9. A5M4, CI-106 'Iso' of Zuiho Fighter Group, Sasebo, March 1941 - in silver and red with yellow fuselage band and tail code. This aircraft also has a red longitudinal fuselage stripe and the white kanji character 'Iso' (磯) painted inside the fuselage Hinomaru.
    10. A5M4, ヨ-186 ('Yo'-186) flown by A1/c Hideo Oishi of Yokosuka Ku, Yokosuka, December 1939 in silver and red with white trim. 
    11. A5M4, 2タイ-103 ('Ta-i'-103) of Tainan Ku (2nd generation), Formosa, February 1944 to February 1945 - a training aircraft in dark green over grey-green.
    12. A5M4, カ-130 ('Ka'-130) of Kasumigaura Ku, Matsushima Detachment, Matsushima, January 1944 - another training aircraft in overall orange with a special rollover fairing fitted behind the cockpit. 
    There are two sheets in this set, with one providing the various Hinomaru. As usual with Lifelike, each subject is described with a note clearly stating the reference sources and any elements of the markings which are deductive or speculative, together with a brief biography of the pilot where appropriate.


    Set 48-054 Mitsubishi A5M Part 2 features 13 marking schemes, again predominantly A5M4 variants, as follows:-
    1. A5M2b late, 3-108, Houkoku-212 (Teikoku Selmei Go) flown by A1/c Kyosaku Aoki, 12 Ku, Anking, China, 1938 - in silver and red with red and white fuselage band.
    2. A5M2b late, Houkoku-218 (Heihoku Kanri Go), probably 14 Ku, Sanzao Do, December 1938 to early 1940 - in silver and red with red and white fuselage band. Unusually this aircraft has the Houkoku legend repeated across the fin and rudder.
    3. A5M2b late, 3-162 flown by A1/c Kezuo Tsunoda, 12 Ku, Anking, China, August 1938 - in silver and red with red and white fuselage band and red wheel spats.
    4. A5M4, W-121, Houkoku-307 (Koku Keiki Go), Soryu Fighter Group, probably Japan, November 1939 - in silver and red with red fuselage band and diagonal blue and white fuselage band.
    5. A5M4, Houkoku-317(Miyagi Suisan Go), 14 Ku, Haikou, China, Autumn to early December 1939 - in silver and red with red and white fuselage band and white tail stripes. Another aircraft with the Houkoku legend repeated across the fin and rudder.
    6. A5M4, 9-137, Houkoku-317 (Miyagi Suisen Go), 14 Ku, Nanning or Hankow, China, January to August 1940 - in silver and red with red and white fuselage band and white tail stripes.
    7. A5M4, S-160, Houkoku-367 (Daini-Tokyo-Kamisho Go), Chitose Ku, Roi Island, October to November 1941 - in silver and red with blue and white tail stripes.  
    8. A5M4, S-153, Houkoku-373 (Isetan Go), Chitose Ku, Roi Island, October to November 1941 - in silver and red with broad blue fuselage band.
    9. A5M2b late, 9-176, 14 Ku, Nanning, China, December 1939 to January 1940 - in green and brown camouflage over silver with red tail. 
    10. A5M4, リ-114 ('Ri'-114), Houkoku-170 (No.32 Zennihon Go), Hyakurihara Ku, Hyakurihara, 1940-1941 - in silver and red with overpainted fuselage band.
    11. A5M4(?), ス-151 ('Su'-151), Suzuka Ku, Suzuka, 1940-1941 - in silver and red with non-standard red demarcation on tail.
    12. A5M4, G-102, Genzan Ku, probably Woosan, Korea, November 1940 to September 1941 - in silver and red.
    13. A5M4, オタ-163 ('O-ta'-163), Oita Ku, Oita, 1943 - in silver with red wheel spat flash and nose trim.
    The two decal sheets included in this set and in the others are crisply printed for Lifelike by Microscale and both the register and colour saturation looks very good, with the correct colour red presented for the Hinomaru. The blue fuselage band on subject 8 must be painted on by the modeler but Lifelike provide silver panels as decals as well as positive and negative templates to mask and apply the Houkoku legend as desired - a nice touch.  
     
     
    Set 48-055 Mitsubishi A5M Part 3 also features 13 marking schemes, again predominantly A5M4 variants, as follows:-
    1. A5M2b early, 3-155, Houkoku-126 (Daini Sumitomo Go), 12 Ku, Kong Da, China, 1938 - a closed canopy aircraft in green and brown camouflage over grey-green  with white fuselage band and tail code.
    2. A5M2b late, 10-113, Houkoku-188 (Daisan Chuugakusei Go) flown by A3/c Yukio Aiso, 15 Ku, Jiujiang, China, September to December 1938 - in silver and red with red and white fuselage band.
    3. A5M4, W-101, Houkoku-260 (Fujisawa Go) flown by Lt Tamotsu Yokoyama of Soryu Fighter Group, Japan, November 1939 - in silver and red with red fuselage bands and Hinomaru flag (the Hinomaru for the flag is provided as a decal).
    4. A5M4, W-102, Houkoku-261 (Yoshida Go) flown by A1/c Matsuo Hagiri of Soryu Fighter Group, Japan, November 1939 - in silver and red with red fuselage band.
    5. A5M4, W-102, Houkoku-266 (Iwai Go) flown by A1/c Hideo Oishi of Soryu Fighter Group, Japan, November 1939 - in silver and red with red fuselage band.    
    6. A5M4, W-114 of Soryu Fighter Group, East China Sea, November 1938 - in silver and red with red fuselage band and diagonal black fuselage band (not supplied as a decal). 
    7. A5M4, VII-III, Houkoku-348 (Daini Jokyoin Go) of Soryu Fighter Group, Kasanohara, early 1941 - in silver and red with red and white fiselage band and diagonal blue fuselage band, wing stripes and wheel spat trim. The spats have to be painted but the white and blue edging is provided as decals with alternates designed to fit either the Fine Molds or Wingsy kits.  
    8. A5M4, VII-119, Houkoku-386 (Daiichi Fukui Orimono Go) of Soryu Fighter Group, Kasanohara, early 1941 - in silver and red with red and white fuselage band and white, blue edged fuselage band, wing stripes and wheel spat trim. The wheel spats are dealt with as for subject 7. 
    9. A5M4, Houkoku-278 (Osaka Gas Go), 14 Ku, Sanzao Dao or Haikou, China, Summer 1939 - in silver and red with red and white fuselage stripe and white tail stripes. The Houkoku legend is repeated across the fin and rudder. 
    10. A5M4, 9-158, Houkoku-278 (Osaka Gas Go), 14 Ku, Haikou, China, Summer 1939 - in silver and red with black and white fuselage band (provided as a decal).  
    11. A5M4, QI-107, Houkoku-295 Dainippon Moufo Go) of Soryu Fighter Group, Sanya, Hainan Island, September 1940 - in silver and red with red fuselage band.
    12. A5M4, M-103, Miho Ku, Miho, October 1943 to June 1945 - a training aircraft in silver and red.
    13. A5M4, カ-105 ('Ka'-105), Kasumigaura Ku, Kasumigaura, Autumn 1943 - another training aircraft in dark green over grey-green with white tail code.
    Seven of the 13 subjects in this set of three sheets are for aircraft of the Soryu Fighter Group, including three very colourful examples. But on all the sheets some of the lesser known units are included which might otherwise be difficult to model. The attention to detail is shown by the alternative trim decals for the Fine Molds or Wingsy kits. The number of subjects provided suggests joint purchase and/or sharing to avoid waste but no doubt some Claude enthusiasts will invest in all the sheets for the sheer choice of subjects and the very useful reference notes. I hope that in due course we might also see them available in 1/72 scale.    


    Lifelike's painstaking trio of decal sets is an excellent enhancement for the recently released Claude kits in 1/48 and highly recommended. With special thanks to Keishiro of Lifelike for these review samples. 

    Image credits: All © 2017/12 & 2018 Lifelike Decals 

    New Fine Molds 'Babs' in 1/48!

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    Hat tip to Dan Salamone, who was first, for alerting me to this news, but thanks also to the others who wrote in. Following on from their Claudes, a new tool 'Babs' from Fine Molds in 1/48 scale. From the box art depicting a well-known Tainan-ku rikutei-tai air-to-air bomber, this hopefully first of a Babs family (?) is the IJN Mitsubishi C5M variant, the Type 98 Land-based Reconnaissance Aeroplane (Kyu-Hachi Shiki Rikujoh Teisatsu-ki - 九八式陸上偵察機, abbreviated as Kyu-Hachi Riku-tei - 九八陸偵). The new kit is scheduled for release in July and expect to pay about £20 (US$28) if bought direct from Japan. Hopefully this spad-tastic fad (with a Ki-51 due from Wingsy) might continue for us to eventually see a mainstream Ki-36/55 kit released in the same scale.  


    Also due in July from Fine Molds is a mainstream 'modified' kit of Claude's predecessor, the Ka-14 in 1/72 scale, previously released only as a magazine special. This one with a new cowling but hopefully offering both in the kit.

    Image credits: All box art © 2018 Fine Molds Corp.

    Yahu Instrument Panels for Japanese Aircraft Models

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    Back in March 2014 the pre-painted 1/72 scale Ki-44 instrument panel manufactured by Yahu Modelswas featured. Since then their range of aircraft sets in the popular scales 1/72, 1/48, 1/32 and 1/24 has been prolific, incorporating both complete, ready to fit panels and set ups requiring sandwiching of photo-etch parts and film sheets for optional possibilities. Some panels, such as the Ki-44, are also available for assembly by the purchaser. Don't be put off by the colour instruction sheet images which sometimes appear online as the colours of the actual painted panels are very good indeed.


    Set YMA7262 (shown above) is designed for the Nakajima-built A6M2 in 1/72 scale. It consists of a basic pre-painted and assembled panel together with a sheet of three additional instruments and can be configured to suit the Tamiya, Hasegawa, Fine Molds and Airfix kits. The paint on the panel is matched to Mr Color C127 Cockpit Colour Nakajima. YMA7255 is the requisite set for the Mitsubishi-built A6M2 (shown below) and panels are also available for the A6M3 and A6M5 in this scale. Again all retailing in the UK for £1.99 each which is less than a tin of Humbrol paint.


    Set YMA7277 (shown above) is designed for the Mitsubishi A5M4 in 1/72 scale to fit both the Fujimi and Hobby Boss/Doyusha kits. Nichimo is not mentioned but I reckon this could be fitted if upgrading that veteran is desired. This set consists of a single, one piece painted panel requiring only a single instrument to be bent into position before fitting into the cockpit. Unpainted, sheet-based photo-etched assemblies can look really excellent when persevered with but some modellers do struggle with the folding and sandwich assembly in 1/72 scale so these sets are an excellent way to add extra detail without stress. For an open cockpit type like the A5M4 they are especially welcome and the set retails in the UK for only £1.99.
         

    Set YMA7292 (shown above) is designed for the LS/Arii Mitsubishi Ki-15/C5M 'Babs' and again consists of a single pre-painted panel with the colour matched to Mr Color C126 Cockpit Colour Mitsubishi. That limits the options if it is desired to paint the rest of the cockpit in the blue-grey Army # 3 colour, and re-painting the tiny panel would be quite a challenge.  Mine will go into a C5M!


    In 1/48 scale set YMA4826 (shown above) is designed for a Nakajima-built A6M2 using the Tamiya kit. This consists of a pre-painted panel and a sheet of additional pre-painted parts. The set for a Mitsubishi-built A6M2 also using the Tamiya kit is YMA4825.  


    Set YML4801 (shown above) is designed for the Hasegawa E8N1/2 'Dave' floatplane and consists of five pre-painted parts for the pilot and observer cockpits which require sandwich assembly to create two panels and the observer's rear bulkead.


    Set YMA4857 (shown above) is designed for the A5M2 using the Wingsy or Special Hobby kits and consists of a single pre-painted panel with an additional sheet of pre-painted instruments and parts for early and late variants as well as cockpit wall placards. In March this year sets were also released for the Ki-43-II as YMA4865 designed for the Hasegawa or Fine Molds kits and for the Ki-44 as YMA4868 designed for the Hasegawa or Arii kits.


    In 1/32 scale sets are available for the Mitsubishi and Nakajima-built A6M2 designed for the Tamiya kit as YMA3224 (shown above incorrectly labelled for a Hasegawa kit and corrected on released sets) and YMA3234 respectively, as well as for the Hasegawa Ki-44 kit as YMA3230. Sets for the Trumpeter 1/24 A6M2 are also available for Mitsubishi or Nakajima-built variants as YMA2403 and YMA2406 respectively.  
     
    The Yahu Models sets are little gems and highly recommended for all modellers, but especially those embarking on aftermarket detail additions for the first time. Hopefully more Japanese aircraft subjects will be forthcoming, encouraged by sales. The sets are available across the world from the retailers listed here. With special thanks to Urszula of Yahu Models for the review samples.

    Image credits: All © 2018 Yahu Models



    Artur Domanski's 1/32 A6M3 Model 22 Zero

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    This splendid model of an A6M3 Model 22 Zero was built from the Tamiya 1/32 kit by Artur Domanski and features a superb representation of the appearance of the original '6-171' as seen in a couple of well known images.  


    The base coat amber grey colour was mixed from Gunze Mr Color C60 RLM 02 Gray and C366 Hemp in the ratio 51% + 49% respectively. The dark green field camouflage is Tamiya. The wear was reproduced with the maskol and salt technique.  The markings are a mix of hand painted and conventional wet transfer decals from HGW.


    With special thanks to Artur for sharing these images with Aviation of Japan. More photos of this model can be viewed here at Artur's own blog Artro219 Modelling, together with many other impressive models demonstrating his skills.  


    Image credit: All © 2018 Artur Domanski

    Information Notice

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    In response to a recent query please note that there are no direct purchase links for the listed Aviation of Japan resource guides. Readers who are interested in acquiring any of the titles should first send an enquiry email with their requirements via the 'Contact Straggler' link in the right hand sidebar. Arrangements for purchase will then be return emailed.  Thank you.   

    Fine Molds 1/48 Type 98 at Shizuoka

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    Courtesy of the kindness of Mr Li here are some images of the forthcoming Fine Molds 1/48 Type 98 on display at the Shizuoka Hobby Show. Should whet a few appetites! 



    The linked HLJfeature also shows the construction layout and other details. According to the blurb this is the first 1/48 kit to feature the Type 3 bomb used air-to-air against enemy aircraft formations. With very special thanks to Mr Li for sharing his images with Aviation of Japan.

    Image credits: All  images © 2018 Li Yen-choo

    Jim Anderson's 1/72 RS Models 'Norm'

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    Through the good offices of Aviation of Japan's Texas correspondent Mark Smith, fellow Texas modeler Jim Anderson has very kindly shared images and his build notes for this splendid model made from the RS Models Kawanishi E15K1 'Shiun' kit  # 92075 from 2010 in 1/72 scale:-

    Building RS Models E15K1 Shiun in 1/72 Scale
    by Jim Anderson

    "RS Models are short run injection plastic models of lesser known aircraft types.  This kit was started in early August 2015 and was completed in two months.  It was the first RS Models kit that I’ve built and is easily the best offering to date of this unusual and complex seaplane which was code named “Norm” by the Allies during WW2.  RS Models also offers the later production version of the Norm as a separate kit (# 92076).  


    The 'Shiun' (紫雲 - Violet Cloud; Ed.: "the purple clouds on which Amida Buddha rides to welcome the spirits of the dead") was built by Kawanishi Kokuki K. K. and was large for a single engine floatplane with a wingspan of 46 feet and a length of just over 38 feet.  


    Only 15 of the type were produced including prototypes and the project was terminated during 1944 due to recurring problems with the contra-rotating propellers and pair of troublesome retractable/inflatable outrigger floats.  All these lead to difficulties in handling, performance and maintenance.  Six aircraft were sent to Palau island in the combat theatre but all were shot down by Allied fighters.  One, or possibly two, aircraft were assigned to the IJN light cruiser Ôyodo for evaluation but I don't know their fate.


    The box art depicts an illustration of the orange prototype.  The reverse side shows two colour schemes and their respective markings.  Decals were provided for both versions and went on well.  The orange version is the first Kawanishi prototype circa 1942 and the second version, which I chose, is from the Kawanishi Air Technical Arsenal circa 1943 and depicts an attractive overall light gray machine with a black cowling. (Ed.: Good choice as the prototype was probably painted alumnium rather than orange!


    There were about 35 injected molded parts in the kit including a decent clear one piece injection canopy and a beaching trolley.  Parts were crisp with adequate detail overall and a good fit.  I don’t recall there being any photo etch parts.  Recessed panel lines, nice ailerons and control surfaces with well executed taper and thinness on all of the trailing edges of the wings and rudder were first class.  Although not as high quality as the more mainstream manufactures, the RS Models kit is well within the capability of the average modeler.  


    I chose to make two modifications to the kit during the build.  As I recall, the first was to add a 3/32” brass shaft to replace the plastic shaft for the propeller assembly.  I wanted to try and make the propellers counter rotate as on the real aircraft.  I had hoped that they would spin in different directions with a puff of wind and look really Neat-O! Didn’t work!  But they can still be positioned easily with a touch.  


    The other modification was to remove the excess plastic from the interior side of the engine cowling where the engraved cooling flaps were located.  I used a Dremel tool with a cone sander followed by some sandpaper to achieve a scale thinness.  Each flap was then in turn cut from one another with a razor saw being sure to leave each one attached to the cowling base.  When this was finished, I used needle-nosed pliers with masking tape added to the tips in order to slightly bend each flap outwards.  It’s the nose of this beast with its big spinner and large cowling that gives it a distinctive and powerful look. 


    I also added a piece of lead about 1” long by 1/4" wide to the forward interior of the main float when it was glued together having a concern that it would be too tail heavy even for the trolley.  The rest of the build followed the instructions.


    For painting, I take notes on what colours I use and mixing ratios.  Enamels are my standard choice of paint, but I will occasionally use an acrylic or two.  The interior color is 75% Floquil RR44 Depot Olive and 25% Floquil RR87 Depot Buff.  This color was also used under the wing  where the outrigger pontoons fold back into their recess.  The spinner is Testors 1/4 oz. bottle of Gloss Brown #1140 with a few drops of white and yellow added to the color cup.  


    The beaching trolley was AeroMaster RLM 81 Braunviolett #9028.  Overall color was a 50/50 mix of AeroMaster RLM 02 Grau #9020 with Pactra Gray 1I34 from their Authentic International Colors Italian AF set from way back in the 1970s (it basically looks like US Gull Gray).  A few drops of lacquer thinner were added to this paint as it was a little thick in the bottle.  The cowling was Testors Gloss Black with about 20% Humbrol HU15 (a medium purplish blue) added to the black portion. 


    After painting the model and sealing it with Future floor care, each outrigger pontoon received a rough brushing of thinned Model Masters US Army Helo Drab FS 34031 on their upper surfaces to replicate the collapsible material they were made of.  I like to build seaplanes during the hot months here as a form of mental projection allowing me to visualize something cooler than the beat down of the 100 degree plus heat of a Texas summer.  I call these builds “Seaplane Summer”; and let’s just face it, seaplanes are already cool by themselves!" 

     Norm's size makes an interesting comparison with Jim's equally splendid Rufe

    Cool indeed - and inspiring! With a very special thank you to Jim for sharing all this delight and to Mark for facilitating it.  More please!


    Image credits: All model pics © 2018 Jim Anderson; Box art © 2010 RS Models; E15K1 photo via Wiki

    Combat Colours No 9 The Mitsubishi Zero ~ Errata & Additions

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    Combat Colours No 9 The Mitsubishi Zero Type 0 Carrier Fighter (A6M) "Zeke" in World War Two
    Errata & Additions

    Page 6 - Photo - incorrectly printed caption. The caption should read as follows:-



    "The first A6M2 captured in China in November 1941 was one of two from the Tainan Ku detachment of the 22nd Air Flotilla Fighter Unit which force landed in bad weather on the Luichow Penisula."



    Page 4 - Colour Chart 1. As printed the colours are distorted. Please contact the author by email to request a PDF version of this chart (free of charge) showing the correct colours.

    

Page 7 - Wing Schematic. The outboard red stencil line on the flap is incorrect. The flap was outlined red on the inboard, front and rear edges only. This also applies to the profile plan views.



    Page 9 - Colour Chart 2.  As printed the colours are distorted. Please contact the author by email to request a PDF version of this chart (free of charge) showing the correct colours.



    Pages 11/ 12 - Text as published: "The operational requirements for a longer range were then incorporated into the improved engine design with a reversion to the original longer wing (but without folding tips) to accommodate additional fuel tanks in the outer section and aileron balancing tabs to reduce the control forces on the longer aileron". In fact the A6M3 Model 22 retained the folding wingtips. Even some Model 32 retained part of the folding mechanism inside the wing structure such as the handle bar and associated access hatch. I am grateful to Ronnie Olsthoorn for this confirmation.



    Page 14 - Upper Photo. A6M2 V-110 was not shot down. PO3c Maeda of Tainan Ku ran out of fuel after becoming lost in pursuit of a B-25 from Lae and ditched this Zero offshore at Otamata Plantation on the south coast of New Guinea about 80 miles from Port Moresby. He was made POW by Australian forces and survived the war. The rudder fabric was described as having a pale green (similar to RAF Sky) dope applied, over which it had been re-finished with a grey dope common to the rest of the airframe. I am most grateful to Bob Alford and Bob Piper for an interesting discussion of this incident and others.



    Page 20 - Profile 2-2-103. Presumed to be a Nakajima-built aircraft and the airframe colour shown as such, but the presence of the expected white border around the fuselage hinomaru could not be confirmed. This aircraft has been variously depicted with and without the white border which might have been painted out. 

    Page 25 - Profile UI-105. It is questionable whether this aircraft, long attributed to Nishizawa, was actually being flown by him in the series of well known photographs taken by Hajime Yoshida, a Nichiei journalist who visited Rabaul, Lae, Buin and Ballale during 1942-43. It is not identified as such in Yoshida's autobiography 'Samurai Reisen Kisha' and as he had become friendly with Nishizawa it seems improbable that he would not have mentioned him if he had been the pilot flying his A6M3 Model 22 Zero up close to the G4M bomber in which Yoshida was riding.I am grateful to Osamu Tagaya for this discussion.

    

Page 31 - Profile B1-05. The non-standard camouflage demarcation of this aircraft should have been noted.



    Page 32 - Profile Ta Ku-101. The caption should read as follows:- 

    "Nakajima A6M2-N of Takuma Ku, Japan in August 1943. This heavily weathered Rufe reveals the original amber-grey factory scheme and red-oxide primer beneath its very worn dark green camouflage."

    

Page 36 - Upper Photo. As for Page 25 re Nishizawa attribution. 

    Image credit:- © 2017 Guideline Publications

    Jan Hajicek's 1/48 Kawasaki Ki-61-I Tei Special Attacker

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    Jan Hajicek,  the mastermind behind the Dead Design range of masking products, has kindly shared these images of his Kawasaki Ki-61 I Tei built from the Hasegawa 1/48 scale kit and representing an aircraft of 160 Shinbu-Tai at Chofu air base in August 1945. In Jan's own words:

    "I finally managed to finish a model that had lain on my shelf of doom for 20 years. I had purchased the kit and FAOW book in 1995 at the Collinsdale Hannants during a trip to Scotland. Back home I purchased the Aires cockpit, but on attempting to install it I realised that it didn’t fit at all. This experience frustrated me so much that the kit went back into the box and waited almost 20 years. I dusted it off two years ago, assembled the main parts, applied surface primer and finally finished it last autumn.


    "Eventually I chose to complete it as 160th Shinbu-tai machine. That special attack unit was formed in April 1945 at Chofu from the 244th Sentai and this well known machine was most likely left behind at the air base due to engine or some other failure. I like the heavily weathered appearance. 


    "In addition to a replaced front lower cowling panel, the washed off or removed white home defence bands around the Hinomaru are interesting. A careful study of the b/w photo of thios machine revealed that the white colour appeared to be washed off. That seemed similar to Luftwaffe washable winter white camouflage. But that is speculation on my part, not a fact.


    "The kit was built more or less like a hybrid. At different stages over the past two decades my view of the assembly changed several times. For example the cockpit was built straight from the box, with photo-etched seat harness, Ho-5 cannons from CMK. I added photo-etched trim wheels and push rods, and re-modelled the wing racks and external fuel tank The 250 kg bomb came from spares, whilst the antenna wire is Uschi VDR. The antenna insulator, cowling fasteners, landing light cover and all formation lights were scratch built. 


    "My own masks were used for the canopy, inspection covers and all markings. The fuselage artwork was a Lifelike decal (# 48-005R 244th Sentai Part 3, Aircraft subject # 4). Paints used were Gunze for the propeller, Alclad on the lower surfaces and Vallejo for the rest. Weathering was applied using MiG, Windsor & Newton acrylics and artist pastel chalks."


    Jan, who spent five years working as a designer for Eduard and then 10 years as a designer, webmaster and translator for MPM/Special Hobby, has recently begun marketing his own range of masking accessories under the Dead Design logo. During his career he has designed hundreds of photo-etch sets, decals, masks and colour instructions for kits, distinguished by his own 'Dead Design' signature. Jan's perspective is that every aftermarket accessory must help the modeller, either by enhancing detail or by saving time.






    With that in mind he has developed excellent masking sets for the recent Tamiya 1/48 and 1/72 Ki-61 kits, including a comprehensive set of inspection panel cover masks designed to facilitate applying different shades of natural metal, as well as canopy masks and masks to paint the Hinomaru. The Dead Design range now consists of 30 sets of masking accessories, mainly canopy masks for Japanese aircraft subjects, with more planned to include inspection covers and canopy masks for early 1950s jets, as well as more WW2 subjects with photo-etched parts and decals.   



    With special thanks to Jan for sharing the images of his splendid model and the news about his range of fine accessories.  

    Image credits: All model and accessory images © 2018 Jan Hajicek & Dead Design; Colorised photo-image via web, from an original photo taken by USMC photographer Joe O'Donnell and published in 'Japan 1945, Images From The Trunk' (ISBN 4-09-563013-2) by Shogakukan Inc., 1995.

    Jan Hajicek's 1/48 Mitsubishi Type 96 Kansen Model 2-2 Early 'Claude'

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    The second model Jan Hajicek has kindly shared here following his return to modelling is Fine Molds 1/48 Mitsubishi A5M2b. In his own words:-

    "I’d like to present the most unpopular version of the beautiful Claude. It was the most unpopular because pilots at the end of the 1930s preferred to feel the air stream in open cockpits. When Mitsubishi Type 96 Kansen Model 2-2 with an enclosed canopy was in 1937 (Showa 97) accepted by the Nihon Kaigun in 1937 (Showa 97), the new enclosed canopy was criticised for limiting visibility during combat The pilots of several units had the sliding hood removed from their aircraft. A total of 124 machines with enclosed cockpits were produced, followed by a modified version which  featured only the windscreen without the rear glazing and sliding hood. 


    "I chose to model the machine that served with the Hyakurihara Kokutai in Ibaragi Prefecture just at the turn of 1941/42. This machine is recored in two photographs which show some interesting features. The cowling, even after several years, is still gleaming like a mirror and has only few scratches around the fasteners. All Hinomaru and tail planes that were sprayed with the same colour are glossy, too. 


    "The rest of the machine appears to have been treated with aluminium anticorrosive dope that after some time had lost its shine and degraded towards a greyish hue. The use of protective anticorrosive lacquer (which had been applied from the A5M2b late version) seems doubtful for this machine and even for most A5M2b early machines. As with most naval machines operating from land bases, this one has had the arrestor hook removed. As one of the few visually recorded machines with the sliding hood it does not carry an external fuel tank. These 160 litre fuel tanks were smaller compared to the more commonly used 210 litre tanks introduced with the late production A5M2b. 


    "The kit was built straight from the box without any accessories or other enhancements. Although the Fine Molds kit allows the flaps to be shown lowered I chose to leave them closed. As already mentioned, the model is not fitted with the external fuel tank. The main reason is that I plan to build more Claudes with fuel tanks fitted but also because the kit includes only the 210 litre tanks that would have to be modified, hence my model would not have been built straight from the box. The assembly of the cockpit was one of the most trouble free that I have ever experienced, and there was no need of dry fitting or adjustments. Overall, the fit of kit parts is excellent as to be expected from one of the best toolmasters in the World. Those who appreciate Fine Molds Nano Dread series for 1/700 scale ship models or the newly released machine guns in 1/72 scale would definitely agree with me. By the way, the cowling with engine is just slotted onto the plug on the fuselage without glue 


    "The model was sprayed with Alclad matt aluminium. The other paints used were Vallejo, Lifecolor, and my preferred Tamiya clear colours for the formation lights. All Hinomaru, tail codes and propeller markings were sprayed using masks, the only decals used were the stencils and data plates. Weathering was done using MiG products and artist pastel chalks. The objective was to have fun building the kit and to achieve my own idea of how it should look compared to the relatively well maintained aluminium coated aircraft."


    As for the Ki-61, Jan has produced Dead Design canopy masks for all the Fine Molds A5M kits (including the 1990s released A5M1, 2a early, 2a late and also for the A5M2b early as modelled here) which include wheel and wingtop light masks. Jan does not hold a large stock of masks in his webshop as he does not wish the tape to deteriorate in storage, hence the 'Freshly Cut' logo on his packaging.   





    With special thanks to Jan for sharing these images and his build report on a Claude variant which is not unpopular with me, as well as the information about his specialist range of painting masks. 

     

     Image credits: All model photos and product images © 2018 Jan Hajicek & Dead Design; Box art © 2017/18 Fine Molds Corp.

    Japanese Anti-Submarine Aircraft in the Pacific War

    Dan Salamone's 1/48 Brengun Airfield Oil Cart

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    Dan Salamone has very kindly shared these images and report of his recent build of a Japanese airfield refueling cart from the Brengun resin kit in 1/48 scale. Dan has created a superb little model with skillfully applied and very convincing weathering.  In his own words:-


    "Here is my 1/48 airfield oil cart from Brengun. The kit itself is all resin, and well cast. The only piece not included in the kit is the hose, which I sourced from my local hobby shop.


    "The parts have some flash, but nothing difficult to remove. Care needs to be taken removing some parts from the casting blocks, the crank/pump part split and flew across the room. Thankfully it was a clean break and easy to find!


    "Also, the pump will not fit on the cart frame where indicated per the instructions. I added a short piece of styrene rod as a riser, then installed the pump on top of this. Otherwise, it will not fit once the oil barrel has been placed.


    "I used Tamiya spray paints for the main parts, and Vallejo acrylics for the detail work. Weathering was with artist oils, chips were applied using a small sponge and Vallejo acrylics, and finally the splashed grime was an enamel wash. Final clear coat was Gunze Mr. Super Clear Matt.


    "Brengun makes this oil cart in 1/32 scale as well, and will also release a 1/48 airfield fire extinguisher this summer. Hasegawa offers this same apparatus in 1/48 plastic with their Isuzu TX40 fuel truck, and it is a nice little kit. I feel compelled to support any small model company that releases Japanese subjects, and have a copy of the extinguisher on order from HLJ. Buy with confidence...."

    With special thanks to Dan for these images and the report. These type of airfield accessories and vehicles can really enhance the display of an aircraft model, with or without figures, and I hope that we see many more of them in future. There is no shortage of subjects, both purpose built or improvised. IJN REO Speed Wagon refueling truck anyone?

    Image credits: All model photos © 2018 Dan Salamone; kit box © 2017 Brengun via Dan Salamone

    Art McNitt's Ki-27 in 1/32 Scale

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    Art McNitt and Ken Glass have kindly shared these images of Art's lovely Ki-27 model made from the 1/32 scale Special Hobby kit and expertly photographed by Ken. When finished in the overall grey-green colour the Special Hobby model shows off the lovely lines of the Ki-27 very well and has great 'presence'.


    Art, like Ken, has been modelling since the 1950s, with his main focus on military modelling. He retired recently from SRP after a long career in that operation's production facility. His late father was on the St Lo when it was sunk by a kamikaze in the Surigao Strait off Leyte in the Philippines on 25 October 1944. The St Lo, an escort carrier (CVE 63), was part of 'Taffy 3' in Task Force 77.4 under Rear Admiral Clifton A F Sprague. A bomb-laden Zero from the Shikishima unit, one of five under the command of Lt Yukio Seki, crashed into the St Lo's flight deck at 1052 hrs and its bomb set off the torpedo and bomb magazine. The crew began abandoning the St Lo at 1104 hrs and the carrier sank at 1121 hrs with the loss of 114 of her crew and many wounded. The Shikishima unit, composed of volunteers from 201 Ku, was one of four groups making up the 1st Shimpu Special Attack Corps at Mabalcat, the others being the Asahi, Yamato and Yamazakura Units.


    Art's model represents the Ki-27 Ko  c/n 91 flown with the sliding portion of the canopy removed by Sgt Maj Isamu Kashiide in the 2nd Chutai of Hiko Dai 59 Sentai during the fighting at Nomonhan in September 1939. The rudder displays the katakana character 'ka'. The 59th arrived late to the Nomonhan campaign and Kashiide claimed only two victories on 15 September, the last day of fighting. He subsequently graduated from the Army Air Academy with the rank of Lieutenant  and went on to become a noted ace against the B-29 during the air defence of Japan, claiming seven of the bombers shot down whilst flying the Ki-45 Toryu with Hiko 4 Dai Sentai. According to early references the red lightning flash represented the 1st Chutai of the unit with the 2nd Chutai using black or blue-black and the Sentai Hombu using green for the insignia, but recent kits, including Hasegawa and Special Hobby, have depicted it as red.


    The 59th was formed under Lt Col Issaku Imagawa with two Chutai at Kagamigahara in July 1938 from the 1st Hiko Rentai with the Ki-27 or Type 97 fighter* (Kyu-NanaShiki Sentoh-ki - 九七式戦闘機, abbreviated as Kyu-Nana-sen - 九七戦) as original equipment and was only increased to three Chutai strength in September 1942. The 15 September 1939 engagement was its only battle honour for Nomonhan in which it claimed 11 enemy aircraft shot down for the loss of six pilots from the 1st Chutai, including the Chutai leader Capt Mitsugo Yamamoto,when it was 'bounced' by fresh Soviet fighters as they pursued the survivors from the first encounter. Three other 59th pilots who also claimed two victories each went on to distinguish themselves as aces - Yasuhiko Kuroe with 30 victories, Katsutaro Takashi with 13 and Takeomi Hayashi with nine. The unit was one of the first to re-equip with the Ki-43 in 1941 and is well known for reportedly displaying the prominent lightning flash insignia on the natural metal fuselage of that aircraft. By the time of the Pacific War its camouflaged Oscars were displaying less ostentatious unit insignia of a single diagonal band in Chutai colour on the fin and rudder with similar spanwise bands on the upper surfaces of each tailplane, a form of marking which continued to be used by this unit until the end of the war. 


    Art used Testors ModelMaster IJA Grey-Green for the overall finish with dirty thinner applied to the panel lines and some silver paint to represent chipping. The prop and engine face are crisply molded and look good on the finished model, enhanced by photo-etched framing supports inside the cowling. Exhaust stacks are appropriately deep as molded. The kit decals were used which were thin and settled down well into the very fine recessed panel lines, with many tiny stencils on the airframe. The open cockpit showcases interior details. Art applied a pre-painted photo-etched seat belt to the seat pan and did a good job mixing a representation of IJA # 3 grey-indigo colour for the cockpit interior.  Ken first photographed this model in 2014 but these images were taken recently, luckily he thought as Art usually gifts his completed models to his grandchildren.


    With special thanks and very best wishes to Art, and special thanks to Ken for sharing these images. Art is going through a rough time at the moment but is steadfastly and admirably determined to continue his modelling in the face of it. Aviation of Japan is pleased and privileged to be able to share his enthusiasm and expertise. 


    * In the Japanese Army the protocol was to articulate the type designation as 'nine-seven' rather than 'ninety-seven', and for all other Types.

    Image credits:- All model photos © 2018 Art McNitt & Ken Glass via Ken Glass; Special Hobby box art © 2010 Special Hobby s.r.o.


    Dead Design's Ki-61-1 Tei Aftermarket Accessories

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    One of the odd aspects of the otherwise excellent Tamiya 1/72 Ki-61-1 Tei kit is that it lacks the wing racks and drop tanks commonly seen on the type and associated with many of the popular modelling subjects. That was a strange and regressive ommission but Jan Hajicek of Dead Design Models has come to the rescue with a set of resin drop tanks and racks, as well as a set of resin control surfaces and a vacform canopy with mask to pep up your Tamiya Tony model and save you raiding other kits. The drop tank set RM72001 contains 2 wing racks and 2 external drop tanks (Type II Wooden). The set retails for €5.81 (about £5.11).


    The set of resin flight control surfaces RM 72002 consists of separate ailerons, horizontal and vertical stabilizers including aerodynamic hinge covers, and also retails for €5.81.


    The canopy set RM72003 consists of a crystal clear and sharply molded vacform canopy in three sections together with masks for the canopy but also masks for  the landing light cover and wheel hubs. This set retails for €5.42 (about £4.76).


    With thanks to Jan of Dead Design Models for alerting me to the availability of these aftermarket sets for the Tamiya 1/72 Ki-61-I Tei kit.

    Colour Considerations ~ 9-shi Single-Seat Fighter (Mitsubishi Ka-14)

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    Some considerations pursuant to several queries about the colour of the Mitsubishi Ka-14 - 9-shi experimental single seat fighter (九試作単座戦闘機). Hitherto commonly depicted as natural metal (as in the first Fine Molds'magazine issue' kit) but recently revised to become grey-green. Jiro Horikoshi described the Ka-14 prototype as being painted 'ash green' (grey-green):-

    " . . . the skin had a quilted appearance caused by the unskillful application of the flush rivets. These dimples were especially noticeable in contrast to the rest of the shiny alumin surface. We solved the problem by filling the depressions with putty and painting the airframe with a thick coat of Navy specification ash green paint. Then the airframe was polished." *


    Photographs of the aircraft do suggest a smooth finish but are somewhat ambiguous as to its very light looking colour. Japanese aviation researcher Mr Fumio Komine suggests from Mitsubishi records that the first and second machines were treated with polishing powder (磨き粉) to smooth the surface and then probably finished with grey-green paint, perhaps to J3 standard. The original prototype had a black or blue-black painted cowling whereas the improved type had the new cowling painted in the airframe colour. Both had red painted tails. The tailfin fillet in the revised Fine Molds kit appears larger than in some representations depicting a much shallower and more subtle addition.

     Note dark painted wingtips

    These details give rise to a number of questions. If at that time (1935) there existed a Navy specification ash green paint then why were subsequent production A5M delivered in natural metal finish? Up to about that time IJN biplane fighters (A2N) were reportedly finished in aluminium dope or camouflaged and most photographic images bear that out. However, a photograph** of a Saeki Ku A3N1 サヘ-191 (SaHe-191), manufactured by Nakajima in May 1936 is ambiguous. The wing, strut mounting and aileron connection rod of the aircraft in the foreground do not appear to be painted aluminium but rather in a pale, glossy paint and dope. With that in mind the two aircraft flying alongside could easily be envisaged to be finished in the same colour, a light non-metallic paint or dope rather than aluminium dope. 

    Many Japanese reference sources and kits refer to the IJN paint colour as mei-kaishoku, mei-kai hakushoku or mei-hai-hakusho meaning light ash or light ash-white and one researcher*** has suggested that the colour was "IJA J1". It is unclear whether that was intended to mean the Army # 1 colour hairyokushoku (ash green colour) or the IJN Kariki 117 'J1' which was in a series simply called ash colour. The conflation of Army and Navy colours is long standing and even today some kit instructions suggest the Army # 1 colour for painting the A6M2. The colour J1 seems far too dark for the description light ash white, at least as it appears now, being similar to Munsell N4 (close to FS 26132) with a slight greenish undertone. The Kariki 117 J3 is close to FS 36307 in appearance.

     IJN J3 vs Army # 1

    The Army colour seems much lighter and brighter on examples of the same vintage as the Ka-14, for example the experimental Ki-18 fighter (completed by Mitsubishi for the Army in August 1935), than on later Pacific War era aircraft. The Army Kôkaku 39 colour standard for # 1 is approximate to FS 26496 but a little darker, more greenish and saturated. It is also a little darker and more greenish than RAL 7032 Kieselgrau (Pebble grey). Confusion over this colour is also long standing as it has often been described on aircraft as blueish or blue-grey as well as greenish-grey. Those well-known colour photographic images of Toryu can easily be visualised as showing a blueish-grey but when the colour is closely analysed it proves to be close to the standard for # 1. Likewise the A6M has often been described and depicted as a distinctly light blue-grey colour. 

    FS 26496 

    FS 26496 is a Munsell GY - Green Yellow and designated as Green Gray. Official pigments are Rutile Titanium Dioxide (white), Phthalocyanine Blue (Red Shade), Natural Raw Umber and Phthalocyanine Green (Yellow Shade). 

    FS 36307

    Interestingly the chip of this colour in a 1989 FS 565B fan deck now appears a slightly more blueish or neutral grey whereas the current appearance of the colour, now called Bulkhead Gray, is a definite Munsell GY - Green Yellow - a grey with a greenish-brown undertone. I have verified the colour values of FS 36307 across a number of sources, including the CIELAB D65/10 L*a*b* values reported in Aerospace Material Specification AMS-STD-595 of 02/17 and the spectrophotometer based colour measurements reported in Technical Report ARWSE-TR-17001 of the US Army Research, Development and Engineering Center of 10/17, all of which are consistent with the Munsell GY value. The official colour pigments for FS 36307 are Rutile Titanium Oxide (white), Phthalocyanine Green (Blue Shade), Natural Raw Umber and Carbon Black (Blue Shade). There is an odd optical effect at work here because when that old 1989 chip is visually compared to Methuen colours it still compares to the green rather than blue range of greys on the 1-2 scale. It has a very low and subtle colour saturation between blue and green.  

    J3 and # 1 

    The proximity of J3 and # 1 is borne out by the fact that when the Army and Navy colour standards were reconciled in the Aircraft Manufacturers 8609 document of February 1945 colour # 2-6 became the direct successor colour to J3 and was deemed similar to # 1. A swatch of 2-6 examined in 1975 was compared to Munsell 5 GY 6/1 and FS 36307. The closest FS value to 5 GY 6/1 is FS 16307 @ 2.07 (where < 2.0 = a close match). FS 16307 measures as Munsell 4 GY 6/0.8.   
     
    * Eagles of Mitsubishi - The Story of the Zero Fighter' by Jiro Horikoshi (Orbis Publishing, 1982), p.21-22
    ** The Imperial Japanese Navy Fighter Group Photograph Collection (Kaiga Co. 2011), p.25
    *** Out of Ameiro Cloud Into Hai-ryokushoku Sky by Yoshihito Kurosu (j-aircraft.com)    

    Image Credits: Ka-14 box art © 2018 Fine Molds Corp.; Ka-14 photos via web; Colour chips © 2018 Aviation of Japan
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