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Recent Risings

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Concomitant to recent musings on Jake kits Rising Decals recent resin set Acr-022 includes a replacement cowling with individual exhaust stacks for the 1/72 Hasegawa kit (of which more anon). This set includes decals for a single dark green over grey example with the tail code HK-006 from the Higashi Karorin Hikôjô Tai (Eastern Caroline Islands Airfield Unit - 東カロリン諸島飛行場隊 ) based at Moen Island (now Weno), Truk Lagoon in 1945. This unit, engaged in routine sea surveillance and anti-submarine patrols, appears to have been formed from the rump of 902 Ku which had been dissolved in August 1944. A profile of sister ship HK-007 appeared in the Thorpe IJN book, identified as 902 Ku.


Two further sets, Acr-034 and Acr-035, feature resin blind flying hoods for the IJN biplane trainer Type 93 K5Y1. The first set (above) includes decals for a single silver doped example with red tail and the tail code カ-758 (Ka-758) from Kasumigaura Ku (Kasu-ku), Japan, in 1938. The second set (below) provides decals for two aircraft. The Takao Ku example with tail code タカ-501 (TaKa-501) at Takao, Taiwan in Fenruary 1944 has a disruptive camouflage pattern of dark green applied over the overall orange-yellow trainer colour. Where the green surrounds the tail code and fuselage number they appear to retain thin outlines of orange yellow but no provision is made for this on the decal sheet and it will present a painting challenge. A second Kasumigaura Ku example, カ-439, also in 1944, is in less challenging overall orange-yellow. Takao Ku, which went through several organisational changes, became responsible for training fighter pilots in January 1944 with large numbers of Type 93 aircraft.  


One other set that has escaped perusal is Acr-029 (above) which provides resin 60 kg bombs and racks for the A6M2-N Rufe floatplane fighter. Tail codes are provided for three bomb-toting aircraft of the 802 Ku at the Shortland Island lair in the Solomons, circa 1943, N1-118 in overall grey and N1-112 and N1-123 in dark green over grey. N1-118 is the well known aircraft attributed to Lt Kaiso Yamazaki with 'battleaxe' victory markings on the fin. Coincidentally the Hasegawa 1/72 A6M2-N is due to be re-released in February 2017 in a duo presentation (two kits on one box) featuring 802 Ku markings for three aircraft (two shown below) at the remarkable price of about £16.50 - good value these days, but get it directly from Japan. 


Finally two more Rising Decals 1/72 sheets which whilst not featuring Japanese subjects probably fall into the category of related topic rather than off topic and are well worth mentioning here. 


RD72072 'The Burma Banshees' (above) is a splendid set of decals for no less than seven P-40N fighters of the skull adorned 80th Fighter Group, operational over Burma in the China-Burma-India (CBI) theatre from bases in Assam, India. 


RD7073 'Flying Kiwis over the Pacific' (above) provides decals for a selection of seven colourful aircraft of the Royal New Zealand Air Force (RNZAF) operational in the South-West Pacific Area (SWPA) consisting of three Dauntless dive bombers - two SBD-4 and an SBD-5 - a P-40M, a P-40N and two F4U-1D Corsairs. The two P-40s represent popular modelling subjects - ace F/O Geff Fiskin's P-40M 'Wairarapa Wildcat' of 14 Sqn in 1943 and P-40N 'Gloria - Lyons' of 4 SU and 18 Sqn in 1944 - previously provided on other decal sheets with variable success so especially welcome from Rising. Please note that the white identity bands are not included and must be applied with paint or decal strips by the modeller. The operations of the RNZAF in the SWPA have been somewhat overshadowed by the USAAF and RAAF  but are worthy of greater attention. In that vein I can very happily recommend  the effort to obtaina copy of Chris Rudge's superlative 'Air-To-Air', (below) a limited edition tome from 2003 which examines the air combat claims of the RNZAF in 408 detail packed pages with many photographs. 


With special thanks to Mirek of Rising Decals for the review samples.

Image credits: All resin set and decal images © 2016 Rising Decals; A6M2-N box art © 2016 Hasegawa Ltd via HLJ; Air-To-Air book cover © 2003 Chris Rudge via Abebooks.

Donald Campbell 1921-1967

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Off topic but the 4th January was the 50th anniversary of the death of Donald Campbell (1921-1967) on Coniston Water in Cumbria and I wanted to commemorate him. He was a certain type of Briton now sadly missing from our public life. That is not to say perfect by any means but with sterling qualities not demonstrated much today, a decisive courage that accepted risk and the risk of being described as foolhardy if things went badly. In Britain today the prevailing leadership instinct is to avoid any risk at all, with things still going badly anyway, as they often do, beyond the wit or control of man.  


Donald Campbell's last words as recorded in his radio transmission:-

". . . Full nose up . . . Pitching a bit down here . . . coming through our own wash . . . er getting straightened up now on track . . . rather closer to Peel Island . . . and we're tramping like mad . . . and er . . . FULL POWER . . . er tramping like hell OVER. I can't see much and the water's very bad indeed . . . I'm galloping over the top . . . and she's giving a hell of a bloody row in here...I can't see anything...I've got the bows out ...I'm going . . . U-hh . . . "


Donald Campbell's body was finally found and recovered from the lake only in 2001. In the 1960s he was a household name in Britain and his blue-painted world speed record vehicles familiar to every schoolboy. Now most of the younger generation don't even know of him and there are no Airfix kits of his vehicles.

I returned, and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.
(Ecclesiastes 9:11)

Image credits: Donald Campbell and Bluebird CN7 1960 via Wiki; Bluebird K7 by Neil Sheppard via Wiki; Coniston Water by Mike Knapton via Wiki

The Year of the Rooster

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祝春節
Best wishes to all Aviation of Japan readers in the Year of the Rooster.

First Tony ~ RS Models 1/72 Ki-61-1 Ko

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RS Models1/72 kit of the Kawasaki Ki-61-1 Ko is unique in representing the first operational variant of this uniquely inline-engined Army fighter and therefore a welcome addition towards completing a line-up of the type. My example of this kit is sharply moulded in buff coloured plastic and shares some common parts with other kits in RS Models Hien family. The main identifying feature of the Ko was its retractable tailwheel, although early production examples of the Otsu also had retractable tailwheels. I was slightly disappointed to find that the tailwheel doors and tailwheel assembly are provided as resin parts and necessitate cutting out the tailwheel well from the fuselage halves, although I can fully understand why that approach was taken. 


The other feature of the Ko was its 7.7mm Type 89 wing armament, although there is a misconception around in some parts that this was the cowling armament and perhaps that is unfortunately reinforced by the splendid box art showing the lighter armament blazing away from the wings and the heavier cowling armament not being fired. The wing parts in the kit are the same as provided for the Tei kit and therefore feature the upper wing gun panel blisters of the Otsu and Tei variants with 12.7mm Ho-103 armament. Those are larger tear drop shaped blisters at the rear of the panel with squared off ends abutting the ventilation slot. On the Ko variant the blisters were smaller and situated further forward against the right hand side of the panel (see below). The fuselage halves are for the short-nosed variants that preceded the Tei variant with a separate upper cowling piece. The gun troughs are moulded empty but the staggered gun barrels of the Ho-103 armament should be visible protruding in them. Those fussy about detail should drill out the troughs and install suitable brass barrels. 

Upper wing gun access panel blister on Ki-61-1 Ko

The cockpit in this kit is comprehensively furnished, with sidewall detail, forward and rear bulkheads, a detailed floor, control stick, two-part seat, instrument panel, cowling gun breeches and gunsight. The armour plate for the turnover pylon is a separate piece incorporating the headrest cushion and the rear canopy decking consists of two separate parts. The distinctive lightening holes for these are indented and purists will probably wish to drill them out. A commendably thin and clear one-piece injected moulded canopy allows the interior detail to be appreciated but a vacform replacement will be needed if it is desired to be shown open.  


The radiator consists of five separate parts requiring assembly before fitting to the under fuselage aperture which will require some care. The wheel wells and undercarriage parts are nicely detailed and the kit includes under wing racks and two-part drop tanks. A colour schematic on the instruction sheet shows stencil and national markings placement together with a forward view to aid alignment of the main parts. A small but sharply printed decal sheet provides for three colour schemes as shown above. First an Akeno Fying School aircraft in natural metal finish with a very nicely printed tail emblem - one of the best I've seen. Secondly a well known 68th Sentai aircraft from the New Guinea campaign in mottled dark green over natural metal. Finally an air-to-air rammer flown by Sgt Matsumi Nakano of the Shinten Seikutai (Heaven Shaking Air Superiority Unit) attached to the 244th Sentai wearing a solid post-factory coat of dark green and red-painted empennage.  This aircraft had the cowling gun troughs faired over and the wing armament removed. Nakano rammed two B-29s, surviving on both occasions, and claimed a third shot down, with these victory markings included on the decal sheet. Both the latter two schemes are included as profiles by Ronnie Olsthoorn in Osprey's 'Ki-61 and Ki-100 Aces' (2015). Whilst the RS kit decal sheet includes the 68th Sentai command fuselage band in neatly red-outlined white, photographs of the original suggest that the white was painted over a former red band with a ragged edge (as shown below). Some tricky re-painting there in 1/72 scale even for those with good eyes, a magnifier and a steady hand! This particulae aircraft has been attributed to the 2nd Chutai leader and 46-victory ace Capt Shogo Takeuchi. It was perhaps handed over - and re-painted - to another pilot following the delivery of numbers of the Hei variant in-theatre, shortly before Takeuchi's death.    


The only previous Hien kit in this scale to feature the retractable tailwheel was the Revell kit from the 1960s, recently available again in tarted-up presentation. That kit was something of a hybrid as it featured the projecting cannon and large wing blisters of the Hei as well as the Messerscmitt-type side opening canopy fitted to the prototype (although re-issues of the kit had a single-piece canopy).

Although somewhat over-shadowed by the recent Tamiya 1/48 Tei kit the RS Models 1/72 Ko is a valuable addition to the Hien family for those who prefer to work in the smaller scale and a variant not kitted before or elsewhere.  A built and painted example of the kit may be seen at the RS Models website here. More Tony Tales to follow in due course. . .

Image credits: Box art and parts view © 2017 RS Models; Wing schematic © 1996 Model Art Co. Ltd. ; Photograph US National Archive


Japanese Anti-Submarine Aircraft in the Pacific War

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Due for publication on 1 September 2017  Japanese Anti-Submarine Aircraft in the Pacific War is a new Mushroom Model Publications White Series book by Ryusuke Ishiguro and Tadeusz Januszewski. This very welcome study of a little known but fascinating subject is by the well-respected researcher-author and talented artist duo responsible for previous Mushroom books on Japanese Special Attack Aircraft and the Kugisho E14 'Glen'. It is printed to A4 size and consists of 240 pages. More details to follow.





Image credits: © 2017 Mushroom Model Publications via Ryusuke Ishiguro

26 Colourful Tonys (and 2 Nates) ~ 1/48 Lifelike Decals for Ki-61

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Lifelike Decals have just released no less than four new decal sets for the Ki-61 in 1/48 scale. In addition to re-issuing the three 244th Sentai sets in updated format as 48-003(R) to 48-005(R), they have also released a new set 48-050 'Kawasaki Ki-61 Part 1' with decals for four aircraft sporting victory markings. With the release of the new Tamiya 1/48 Ki-61 Tei these sets are timely and welcome temptations to think outside the box!


244th Sentai Part 1 48-003(R) contains the markings for no less than three Tei and five Hei variants as follows:-
  • Ki-61-I Hei'295' flown by Capt Kobayashi in mottled green with with blue and white fuselage stripes and red painted empennage.
  • Ki-61-Tei'24' flown by Capt Kobayashi in mottled green with red fuselage stripe, red painted empennage and drop tank slogans
  • Ki-61-I Tei'24' flown by Lt Takashima as above but with blue fuselage stripe
  • Ki-61-I Hei'43' flown by Cpl Ishioka in mottled green with red and white lightning flash on nose and yellow spinner cap
  • Ki-61-I Hei flown by Cpl Suzuki in natural metal finish (nmf) with red fuselage stripe, redpainted empennage and five victory markings. This aircraft has the Hinomaru on white Homeland Defence bandages
  • Ki-61-I Hei'57' flown by Lt Shinomiya as above but with lightning-style fuselage stripe. This aircraft does not display the unit insignia on the tail but instead has the katakana character ㇱ (Shi) in white on the rudder 
  • Ki-61-I Tei'57' flown by an unknown pilot in mottled green with red lightning flash on fuselage and Homeland Defence bandages
  • Ki-61-I Hei'45' flown by Cpl Ando in mottled green with red lightning flash, white fuselage stripe, red-painted empennage and Homeland Defence bandages
This set is very comprehensive with alternative markings, such as red and yellow leading edge strips, where these details are uncertain or contested, but it should be noted that it contains sufficient Hinomaru for one aircraft only and the white Homeland Defence bandages must be painted on by the modeller. As usual with Lifelike there are detailed notes for each subject, generic notes on the colours and markings of 244th Sentai aircraft, plus additional schematics showing the placement of wheel cover numbers and stencilling, etc.


244th Sentai Part 2 48-004(R) offers markings for two Type 97 (Ki-27 'Nate'), a Ki-61-I Ko, an Otsu, two Hei and two Tei.
  • Type 97 in grey-green with colourful early air defence markings of blue forward cowling, red and blue fuselage bands and white Homeland Defence bandages. This aircraft has the early form of 244th Sentai tail emblem and red leading edge IFF strips
  • Ki-61-I Tei'24' flown by Capt Kobayashi in nmf with red fuselage stripe and red painted empennage. This aircraft represents subject # 2 in 48-003 with the camouflage mottle removed
  • Ki-61-I Tei'62'' flown by Capt Kobayashi in factory-painted # 7 olive drab with red painted empennage and white fuselage stripes 
  • Ki-61-I Hei'15' flown by Cpl Suzuki in mottled green with seven kill marks and Homeland Defence bandages
  • Type 97 in grey-green with air defence markings and later sentai emblem 
  • Ki-61-I Ko'16' flown by Cpl Nakano in post-factory applied dark green with red painted empennage, Homeland Defence bandages and three kill marks
  • Ki-61-I Hei'33' flown by Cpl Nakano in nmf with red painted empennage, katakana character ナ (Na) on rudder and Homeland Defence bandages
  • Ki-61-I Otsu'73' flown by Sgt Itakagi as above in nmf with katakana イ (i) character on rudder
Another set of interesting markings options with the Type 97 subjects providing an opportunity to model some of the aircraft operated by this famous unit in chronological sequence.   


244th Sentai Part 3 48-005(R) presents markings for five Ki-61-I Tei, two Hei and one Otsu.
  • Ki-61-I Tei'87' possibly flown by Capt Kobayashi in dark green with red painted empennage. 
  • Ki-61-I Hei'21' flown by Lt Hiranuma in mottled green with red and blue fuselage bands and Homeland Defence bandages. This aircraft has two kill marks on the right side of the fuselage
  • Ki-61-I Tei'62' flown by Lt Itakura in factory applied # 7 olive drab with red painted empennage and drop tank slogans
  • Ki-61-I Tei flown by a special attack Shinbu-tai in factory applied # 7 olive drab with a large artwork of a Hien diving on a ship painted on the fuselage
  • Ki-61-I Tei '24' flown by Capt Kobayashi with roughly applied green blotching, white fuselage stripe and red painted empennage
  • Ki-61-I Otsu'16' flown by Capt Shono in mottled green with Homeland Defence bandages
  • Ki-61-I Hei'88' flown by Capt Shono in nmf with red lightning flash and Homeland Defence bandages
  • Ki-61-I Tei'71' flown by the Soyokaze-tai of the 244th Sentai in factory applied # 7 olive drab with plain Hinomaru
Another interesting collection of subjects with options for several differently painted Tei requiring interpretative choices. From these three sets all Sentai Commander Kobayashi's various aircraft can be modelled. Of interest is the suggestion to paint the interiors a light blue colour close to FS*5550. This is based on an article by Mr Katabuchi in Gakken 61 which states that Kawasaki painted the interiors of the Ki-61 in Army colour # 1 grey-green (hairyokushoku) which over time became brownish with the appearance of a khaki tan or sand brown. Gakken 61 contains a printed colour chart and the chip for # 1 is shown as a pale blue like FS*5550. The idea that Kawasaki applied a more blueish-grey version of # 1 has arisen before,  reinforced by some extant paint samples.


Kawasaki Ki-61 Part 1 48-050 contains markings for three Hei and one Otsu type Hien, all of which display kill marks.
  • Ki-61-I Hei flown by Lt Takeo Adachi of 55th Sentai in nmf with four kill marks.
  • Ki-61-I Otsu flown by Sgt Shuichi Kaiho of 39th Rensei Hikotai in green mottle over nmf with four kill marks
  • Ki-61-I Hei flown by Lt Tomiho Tohda of 55th Sentai in post-factory applied dark green with four kill marks
  • Ki-61-I Hei flown by Lt Takeshi Nakamura of 18th Sentai in nmf with a single kill mark
The two 55th Sentai aircraft are from the stay-behind cadre in Japan which participated in Homeland Defence operations led by Lt Tohda whilst the rest of the unit was serving in the Philippines. Again the instructions include notes for each subject, a coloured schematic showing stencilling placement and this time sufficient Hinomaru for two models. The decals are sharply printed by Microscale for Lifelike with good colour saturation.

With special thanks to Lifelike for the review sheets.

Image credits: All © 2017 Lifelike Decals

Tamiya 1/48 Kawasaki Ki-61-I Tei

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Dan Salamone has kindly contributed his in-box review of the new Tamiya 1/48 scale Kawasaki Ki-61-I Tei kit. Over to Dan:

"Today I received my copy of the brand new Tamiya 1/48 Ki-61-I Tei. Though I was surprised when I heard a few months back that Tamiya was going to release this kit, it was welcome news. I have been nearing completion of the Hasegawa 1/48 Ki-61-I Hei kit, released back in 2005, so this review will not only report on aspects of the new Tamiya kit, but also offer some comparisons to the older Hasegawa kit. 


"The box art is truly stunning, showing the subject on an intercept mission against USAAF B-29’s. Though there are not a great number of parts to this kit, you will find that the box is full. Tamiya has included an informational “background” sheet in Japanese, English, German and French, a sheet showing both of the two provided markings options to 1/48 scale and the traditional Tamiya style instruction sheet.


"There is a set of kabuki tape canopy masks included but they must be cut out, rather than the Eduard style of laser cut masks. The aforementioned markings include the aircraft on the boxart, a 244th Sentai machine flown by 2nd Lt. Shunzo Takashima, as well as the aircraft flown by 244th Sentai leader Teruhiko Kobayashi. I will mention here that the Tei variant of the Hien has fewer color and markings options than the earlier Ko, Otsu and Hei variants. If a modeler wishes to model something other than a 244th Sentai aircraft, your main verifiable choices would include the 19th, 55th, 56th, and 59th Sentai, as well as the Akeno and Hitachi Flying Schools.


"The kit consists of 5 sprues, 3 in grey and 2 in clear, including a clear left fuselage half as an option instead of using the standard grey fuselage half. This would help to show off the full engine and cockpit detail provided in the kit. The surface detail is fine and beautiful, the engine detail is more than sufficient for most modelers, and the cockpit and other interior parts are comprehensive. The trailing edge of the wings are almost razor thin, so this should result in a very accurate looking scale thickness.


"Fabric flight control surfaces (ailerons, elevators, rudder) show some raised rib tapes which are visible but not highly prominent. Some builders may wish to sand these down a bit. Build options for the modeler include an open or closed canopy, which requires a different set of parts for the spine immediately behind the cockpit, as well as interior cockpit rail parts. The instructions make it very clear which parts are to be used for either option. There is also a very well molded sitting pilot figure. Additionally, and this is not illustrated in the instructions, the full engine does not need to be installed. Instead it can be replaced with part A43, which provides the stem required to attach the prop and spinner assembly.


"The parts breakdown for the under fuselage radiator bath is very different from the older Hasegawa kit, as well as the way in which the assembly is attached to the model. Whilst there is far more detail, Tamiya have molded the parts in a way that precludes displaying the radiator bath outlet door in the lowered position. This can be altered by the modeler, but be sure to check reference photos as some late war Hiens had this outlet door removed in the field. There is a set of lap belts included as decals. To the best of my knowledge, the Ki-61 lacked any sort of shoulder harness for the pilot.


"Some of the weaknesses of the older Hasegawa kit have been addressed and improved upon in this new tool kit from Tamiya. The level of cockpit detail is far superior in the new kit, the wing dihedral appears to be correct, the supercharger intake shows the appropriate vertical slats (whereas the Hasegawa kit is simply an open rectangular shape). The open canopy option is an improvement, especially with the highly detailed cockpit. Personally, one aspect of the Hasegawa kits that always got under my skin was how shallow the main landing gear bays were. Though hard to see in the image above, the bays are deeper and more realistic in appearance in the new Tamiya kit. Other small items to note are the separately molded rudder actuators, landing light lens for the left wing leading edge, and optional pilot head/shoulder armor for the cockpit.

"In summation, this kit is a true gem, superior in all respects to the older Hasegawa kits. That said, until Tamiya releases the short nosed Ko/Otsu/Hei versions, don't sell off your older Hasegawa kits. Hopefully this release signals the return of Tamiya to 1/48 Japanese aircraft subjects . . . . and maybe an equally well executed Hayabusa!"

With special thanks to Dan for sharing this review. The box art is puzzling as Kobayashi presented '24' to Lt Takashima after the 244th Sentai began operating the Ki-100 from 23 April 1945 and the unit had been assigned to the 30th Fighter Group (for direct special attack escort) as a result of operational changes made in March 1945. Takashima was the leader of the special attack 159th Shinbu-tai formed from within the 244th on 26 April. '24' was photographed in early May with its armament removed. On 28 May Takashima flew to Chiran from Chofu in this aircraft, escorted by Lt Koutaro Yokote of the 244th's Sentai Hombu in a Ki-100. Takashima subsequently flew '24' on a one-way suicide mission from Chiran on 6 June.  It seems improbable that Takashima would have been in combat against B-29s in this aircraft. Perhaps the artist intended to depict Kobayashi in '24' with its traditional blue fuselage stripe? The instructions and decal sheet are at odds with this, presenting Kobayashi's aircraft with a red fuselage stripe, as suggested in 2004 by Takashi Sakurai,the historian of the 244th Sentai. In fact the idea of a red fuselage stripe on Kobayashi's '24' is not new as artist Kihachiro Ueda had already illustrated it that way circa 1972 for the box art of the Revell 1/32 kit (shown below) with aircraft sporting blue and yellow stripes in the background!


Of course the provision of both blue and red stripes on the decal sheet leaves modellers free to make their own choice when modelling Kobayashi's famous '24'.

Image credits: Heading art © 2017 Tamiya Inc,; All kit photos © 2017 Dan Salamone; Revell 1/32 box art via eBay

Jan Hajicek's Type 96 Kansen (A5M4)

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Jan Hajicek ("Dead Design") has very kindly shared these images of his Mitsubishi A5M4 'Claude' model which, believe it or not, was made from the Fujimi kit in 1/72 scale.


Jan started the kit in 1998 but found that the kit needed extra detail and the old Eduard photo-etch parts did not meet his requirements. He put the kit back into the box until he was able to master his own photo-etch design. 


The kit was brought out again in 2004 and completed with Jan's own photo-etch. The whole cockpit except the floor was constructed from photo-etch parts. 


Jan enhanced the kit engine by adding a scratch built exhaust ring and some rods to the cylinders heads. The power distribution lines and the cowling support tube bracket were from photo-etch. 


The external fuel tank  rack and suspension straps were completely scratch built. The suspension straps holding the tank in place were reproduced using duct tape sprayed with Model Master metallizer and cut into strips. Other photo-etch parts comprised new bomb racks, landing flaps and trim tab actuators. 


All the control surfaces were cut out and repositioned. Jan also added more depth to them by scraping away the area between the ribs. The Fujimi kit features too many panel lines and a careful study of design drawings revealed that some of the panels on the outer part of the wing leading edge were in fact rivet lines. Jan says that he wasn't skilled at using a rivet tool at that time ("and I'm still not and highly doubt I will ever be") he just filled in the superfluous lines. The tail wheel strut was scratch built using thick aluminium foil and a hypodermic needle.


The kit supplied windscreen was too thick so Jan decided to make his own, vacuum moulding a replacement. The technique he used did not reproduce the framework so he again used duct tape, sprayed with MM Metallizer, cut into strips and applied to the windshield. 


Jan deepened the panel lines on the model as he applies artist water colours. to simulate weathering The whole model was airbrushed with Mr. Color (GSI Creos) # 8 to simulate aluminum.


Jan had considered the myth of the Type 96 Kansen Model 4 being "golden" as reproduced in various colour profiles. In 1999 posted a question at j-aircraft.com which revealed one possible explanation for the "golden" appearance. The natural metal construction was protected by the application of a phenol based clear varnish to withstand the corrosive effect of salt water. Therefore Jan added another layer to the model - a clear coat tinted with yellow-brown to represent the additional phenol based clear protective coat. Final weathering was applied with artistic chalks after close inspection of photos of the Model 4 variant. Chipping of the clear coating was evident in some photos so Jan decided to reproduce that too.


All the markings were airbrushed using Mr. Color paints and masks designed and plotted by Jan himself. The only decals used on this model are the manufacturer’s plate and the Houkoku presentation marking on the fuselage sides. That was also designed on a computer and laser printed by Jan. The overall result is magnificent, especially in 1/72 scale. 

With special thanks to Jan for sharing these images of his wonderful model.


Image credits: All © 2017 Jan Hajicek

Airfix Mitsubishi A6M2 Zero in 1/72

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The rather neat Airfix 1/72 A6M2 Zero will make a welcome comeback in March with splendidly striking new box art (above) and a colour scheme perhaps better representative of this variant. The price for this gem is a very competitive £6.59. To be encouraged as I understand that Airfix is not averse to the idea of future Japanese aircraft subjects!

 

Image credits: All © 2017 Airfix and Hornby Hobbies Ltd

Sword 1/72 Kawasaki Ki-102b

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Hat tip to Bill Sanborn for kindly alerting me to this new Kawasaki Ki-102 Otsu kit "coming soon" from Sword models. Another one to look forward to! 


The colour profiles suggest markings for three aircraft but the colours as presented are not typical. 'Randy' would have been dressed in the late-war olive drab, probably with spinners to match, with a possibility that night fighters were painted overall in the very matt finish of  # 38 Noh An Kasshoku  (濃暗褐色 - deep dark brown colour). a dark brownish black or caput mortuum hue applied to some Toryu night fighters. That was similar to a special night finish developed in Germany by Dr Kurt Herberts & Co., consisting of a dead black pigment combining ferrous oxide with magnesium oxide, mixed with small amounts of zinc yellow and black oxide (in dark red form).

Imagre credits: All © 2017 VISION SWORD s.r.o.

Stefan Sjöberg's 1/48 Otaki Ki-43-II

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Stefan Sjöberg of Sweden had kindly shared these images of his Otaki Nakajima Ki-43-II Hayabusa in 1/48 scale. The model was built straight from the box with just the addition of new markings from  Rising DecalsRD48018 Emperor's Eagles Pt.1 to complete it as an aircraft from the 2nd Chutai 13th Hiko Sentai at Kamari airfield, Noemfoor Island, in early 1944.


The 13th Sentai had been formed at Tachiarai as the 13th Hiko Rentai in 1937, becoming a Sentai the following year. It went through a number of organisational changes throughout its service, absorbing and detaching Chutai from and to other units. From August 1942 it operated both Ki-43 and Kawasaki Ki-45 Toryu aircraft as a specialised air defence interception unit based at Kashiwa in Japan with detachments in Korea and at Sapporo. It was sent to Rabaul in April 1943 and later absorbed the 5th Sentai's detached 'tokushou kougekitai' (特称攻撃隊 - specially designated attack unit) which had been operating Ki-45 and armed Ki-46 aircraft in the air defence role there since February. After suffering heavy losses in New Guinea during August 1943 the unit began operating increasing supplementary numbers of Ki-43 aircraft until formally re-designated as a Hayabusa unit on 17 January 1944. Withdrawing from the New Guinea theatre in April 1944 it consolidated in the Halmaheras.
   

This venerable but straightforward and enjoyable kit is still available under the Microace/Arii logo for less than £7 direct from HLJ Japan.   It was first issued in Otaki's popular 1960s series of Japanese fighter types and a brief kitography illustrating the box art is here

Image credits: All © 2017 Stefan Sjöberg

1/48 MYK Design Decals for Kawasaki Ki-61

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Dan Salamone kindly alerted me to the impending release of no less than six sets of decals for the Ki-61 in 1/48 scale from MYK DesignDecals in their ASU-DECA series. The decals are an interesting hybrid sort of waterslide and dry transfer - as explained here - where after applying them in the usual way and letting them dry the clear varnish layer can be peeled away to leave just the printed colour. And very nicely saturated colour too. The sheets are produced in limited quantity, sell out fast and don't seem to get re-printed - so if you want them you need to be quick!

There has been a lot of online whinging about the recent Tamiya kit being a long-nosed Tei because allegedly that variant offers less colour scheme and marking options than the short-nosed variants. Not so IMHO.  The production of the Tei spanned the period from aircraft being delivered unpainted and factory painted so the potential subjects include plain natural metal finish, various green mottles over natural metal finish and the factory-applied solid olive brown. The Tei variant was also produced in greater numbers than any other and was used by many units both overseas and in Japan, including a number of operational training units and special attack units, the latter with some distinctive camouflage patterns offering a real painting challenge. The issue is not one of limited choice, far from it, but rather whether decals for a particular subject are available. 


Kawasaki Ki-61-1 Type 3 Fighter Hien `Long Nose (Model Tei)` (shown above) demonstrates that by providing tail markings for Tei variants based on the Tamiya kit with eight different units including 19, 55, 56 and 105 Hiko Sentai, 5, 17 and 18 Rensei Hikotai and the Hitachi Kyodo Hiko Shidan.


Kawasaki Ki-61-1 Type 3 Fighter Hien `Short Nose (Model Ko/Otsu/Hei)` (shown above) provides tail markings for six different units including the controversial first marking for 78 Sentai, 18, 19 & 68 Hiko Sentai, 39 Kyoiku Hikotai and Akeno Rikugun Hiko Gakko.


Kawasaki Ki-61-1 Type 3 Fighter Hien 244th Fighter Group `The Imperial Guards`(shown above) provides markings for four different aircraft of the 244th Hiko Sentai excluding national markings and stencils.


Kawasaki Ki-61-1 Type 3 Fighter Hien 244th Fighter Group `Commander Teruhiko Kobayashi` (shown above) provides markings for three different aircraft flown by the famous 244 Hiko Sentai commander, again excluding national markings and stencils. 


Kawasaki Ki-61-1 Type 3 Fighter Hien `National Insignia & Caution Data -Short Nose-`for Hasegawa provides hinomaru and stencils designed to fit the Hasegawa series of Hien Ko/Otsu/Hei kits.


Kawasaki Ki-61-1 Type 3 Fighter Hien `National Insignia & Caution Data -Model Tei-` for Tamiya provides hinomaru and stencils designed to fit the Tamiya Hien Tei kit.

The decal sets are available direct from HobbyLink Japan and Hobby Search
 

The Oscars of John Haas

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John Haas, inspired by Stefan Sjöberg's Otaki Oscar model, kindly sent these images of his own Otaki Oscars built several years ago together with images of a Nichimo Oscar - all in 1/48 scale.


Above, the well-known Ki-43-II s/n 5640 of Major Toshio Sakagawa, 25 Hiko Sentai commander in China, here in its original presentation of markings. In recent years the tail stripes have been re-interpreted as white, yellow and red from the leading edge of the fin, supposedly to represent each Chutai, but the white and blue markings are as illustrated by Rikyu Watanabe for an article on the 25 Hiko Sentai and its predecessor the 10 Dokuritsu Hiko Chutai by Dr Yasuho Izawa which appeared in Aireview magazine circa 1973. That article acknowledges the co-operation of a number of ex-25th Sentai veterans as well as Major Sakagawa's widow, Mrs Kozen Sakagawa, and included profiles of individual aircraft. In 2001 Dr Izawa very kindly sent me a full translation of the article together with its original profiles, a treasured possession. For this reason I have always had a preference for the markings as presented on John's model. 


Major Sakagawa commanded the 47 Dokuritsu Hiko Chutai which trialled the Ki-44 in operational conditions at the outbreak of the Pacific War. Later as commander of the 25 Hiko Sentai in China he frequently led combat sorties, claiming a B-24 on 21 August 1943 and two P-51 Mustangs on 6 May 1944. In July 1944 he was transferred to Akeno where he became the Executive Officer of 200 Hiko Sentai, the Hayate-equipped reinforcement unit deployed to the Philippines and drawn from Akeno instructors and students. On 1 December 1944 he was appointed to command 22 Hiko Sentai but was killed in a transport plane crash on 19 December. 


John also converted the Otaki kit to represent a Ki-43-III Ko from 48 Hiko Sentai, another China-based Oscar unit (above). The 48th was formed in July 1943 from a cadre of 77 Hiko Sentai and 204 Kyodo Hiko Sentai personnel at Jindao, Manchuria, with just two chutai (squadrons) as a component of the newly formed 15th Air Brigade of the 2nd Air Army and activated at Anshan in November 1943. The 15th Air Brigade also contained the somewhat mysterious 30 Hiko Sentai formed as an Assault (ground attack) unit with the Ki-43 at the same time*. The 48th adopted hikotai organisation in February 1944 with a separate seibitai (整備隊) or maintenance unit, but retained its original two chutai strength. 


In April 1944 the 48th moved into China to Wuchang near Hankow and from May began staging to an advanced landing ground at Bailuqi (Pailochi, also known as Sheumatow) just north of Tung Ting (Dongting) Lake from where it flew combat operations. Three successive hikotai leaders and three chutai leaders were killed in action during operations in China as well as at least 10 pilots. The 48th ended the war at Taihsien, near Nanking with approximately 20 Oscars as the planned escort unit for no less than seven newly formed special attack units.  


John's third Otaki Oscar represents an instructor's Homeland Defence aircraft from the Kumagaya Army Flying School. In mid-1944 the school was re-organised as a Flying Training Division with instructors and test pilots also assigned as secondary provisional units - Tônigo Butai (東二号部隊 - literally "Eastern No.2 force" as the units were first conceived in Eastern Army Command) - to be sortied in emergencies to augment the strength of the 10th and 11th Air Divisions in their air defence operations against B-29 raids. 


The subsequent performance of these units was disappointing due to issues with air ground communications as the units could not operate effectively within the air defence structure of the regular divisions and the training regime also suffered as a result of the dual roles. In December 1944 the force was increased when the 22 Hiko Sentai at Sagami and the 16th Air Brigade at Shimodate consisting of 51 and 52 Hiko Sentai, all newly withdrawn from the Philippines, were also designated as Tô units. However, those additional units, still in the process of reforming and under strength, were unable to achieve any quantitative or qualitative improvements so the secondary provisional system was officially abandoned in April 1945.


John's final model (above) is the fine Nichimo Ki-43-I, completed to represent the aircraft of the famous 64 Hiko Sentai commander Major Tateo Kato at the time of his death in May 1942. 


With special thanks to John for sharing these images of his Oscar models.

* 30 Hiko Sentai was subsequently transferred to the Philippines in mid-1944 as part of the 13th Air Brigade with 29 and 31 Hiko Sentai by which time it had been re-designated as a fighter unit. The Brigade move began in May 1944 and was completed by July. 29 Hiko Sentai, at that time equipped with the Ki-44, was diverted to Formosa (Taiwan).

Image credit: All © 2017 John Haas

Sword 1/72 Kawasaki Ki-102 released.

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Sword's new 1/72 Kawasaki Ki-102 Otsu'Randy' has now been released with the announcement of a Ki-102 Ko variant to follow.  


The Ki-102 was designated Experimental (or Test Prototype) Ki-102 Attack (shuugeki) Plane (試作 キ-102 襲撃機). An in-box review and comparison of this welcome kit will follow.


Box art for Ki-102 Ko

Image credit: All © 2017 VISION SWORD s.r.o.

Japanese Aero Engines 1910-1945

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It is a delight to see this part work series on Japanese Aero-Engines by the late Mike Goodwin re-published as a quality mainstream hard cover book through the good offices and effort of Peter Starkings, the former Editor of the IPMS (UK) Japanese Aviation Special Interest Group journal 'JAS Jottings' in which the original series first appeared from 2001-2007. I fully expect this book to be the definitive English-language reference on this subject for many years to come, if not forever. It provides not just a thorough account of aero engine manufacture in Japan but a fascinating journey through the development of Japanese aviation manufacturers in general, standing as a "dip in" reference work as well as a rewarding read from cover to cover. This re-published work by MMP Books has been revised, considerably expanded and also enhanced by a generous selection of well-reproduced photographs, many of which will be useful to super detailers, especially those who like to work in the larger scales.

The contents of the 216-page book are as follows:-

Introduction and Overview
1. The Early Years  
2. Aero-Engine Designation Systems
3. Minor Manufacturers
4. Aichi and Kawasaki Aero-Engines
5. Gasuden/Hitachi Aero-Engines
6. Hiro and Yokosuka Aero-Engines
7. Mitsubishi Aero-Engines Part 1 - Pre-Pacific War
8. Mitsubishi Aero-Engines Part 2 - Pacific War Period
9. Nakajima Aero-Engines Part 1 - Pre-Pacific War
10. Mitsubishi Aero-Engines Part 2 - Pacific War Period
11. Jet Aero-Engines
Appendices

All in all this book is a superb reference and a testimony to the dedication and hard work of both Mike Goodwin and Peter Starkings. Very highly recommended, it is available from MMP Books and via Amazon

Image credit: Book cover design © 2017 MMP Books


Rising Decals Zero Pt. IV in 1/72

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The latest sheet from Rising Decals is the fourth set to provide markings for the Mitsubishi Zero in 1/72 scale. RD72074 contains decals for no less than 14 very interesting subjects across a range of variants and colour schemes.


  • A6M2 'Rai-112' or 'Rai-152' of 256 Ku at Shinchiku, Taiwan in February 1944 - in classic Nakajima factory finish of dark green over grey with a yellow lightning bolt and character 'Rai' (Thunder) in red and white to provide a splash of colour.  
  • A6M3 Model 32 'T2-133' of 204 Ku at Munda, New Guinea in 1943 - in overall amber grey Mitsubishi factory finish with black tail code, yellow tail stripes and yellow fuselage band. This aircraft has long barrel cannon in the wings.
  • A6M5a "43-136" of 343 Ku at Orote, Guam in June 1944 - in badly worn Nakajima factory finish with yellow tail code and stripes. This subject provides the opportunity for worn paintwork Zero fans to indulge themselves without straying too far from reality. But without the reference photo it will be guesswork!
  • A6M2 '2-185' of 582 Ku over the Solomon Islands in 1943 - another overall amber grey bird with the interesting white cowling stripe seen on some Zeros around this time, white-bordered fuselage hinomaru, with red tail code and fuselage chevrons. 
  • A6M2 'B1-12' of 381 Ku in Malaya, 1945 - Nakajima factory finish. This is one of the well-known ATAIU-SEA tested aircraft and was fitted with long barrel wing cannon. Another opportunity to indulge weathering and wear experiments. 
  • A6M5c '721-164' of 721 Ku at Miyazaki, Japan in February 1945 - in standard Nakajima factory finish enlivened by white tail code, tail stripes and wingtips. 
  • A6M5a 'Rai-153' of 256 Ku at Malbalacat, Philippines in October 1944 - in standard Nakajima facory finish with white tail code.
  • A6M5c '721-63' of 721 Ku at Miyazaki, Japan in Fenruary 1945 - a stablemate of subject # 6 but with a narrow yellow tail stripe and white flash,
  • A6M3 Model 22 '162' of 251 Ku at Rabaul in May 1943 - overall amber grey factory finish with dark green "trellis" field-applied camouflage, white tail code, tail stripe and twin diagonal fuselage bands. You are on your own for the upper wing pattern!
  • A6M2 'OTa-1190' of Oita Ku in Japan, early 1944 - another most unusual subject in Mitsubishi-style factory finish with extensive areas of white paint, spinner, cowling front, tail fin/rudder and tailplanes. 
  • A6M2 'OTa-150' of Oita Ku in Japan, 1943 - splendid in overall orange-yellow with black tail code painted on a white band and unusual cowling anti-glare demarcation. The modeller will need to fabricate the exposed tail wheel assembly but Czech Master Kits do provide neat resin accessory sets for that, designed for the Hasegawa and Tamiya kits.
  • A6M3 Model 32 'V-190' of Tainan Ku's Buna Detachment, in New Guinea, August 1942 - in overall amber grey factory finish with black tail code, white tail stripes, black diagonal fuselage band and Houkoku presentation legend.
  • A6M5c '352-157' of 352 Ku at Kasanohara, Japan, in March 1945 - in standard Nakajima factory finish with yellow tail code and white diagonal fuselage band.
 

There is plenty for Zero enthusiasts to get their teeth into here, offering a great selection of colourful subjects. The packed sheet includes a selection of hinomaru with or without white borders as well as some basic stencilling. Inspiring decal sets like this one can also be used to dress up older kits, even giving them a new lease of life.

With thanks to Mirek of Rising Decals for the review sheet.

Image credit: All © 2017 Rising Decals

Michael Thurow's Tamiya Raiden in 1/48

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Michael Thurow has kindly contributed another article describing the rejuvenation of his original Raiden model built from the 1/48 Tamiya kit in 1977.

Mitsubishi J2M3 Raiden - Tamiya 1/48 
by Michael Thurow

 
Origin

The Mitsubishi Reisen or the Nakajima fighters may be more typical of Japan's WWII fighter technology, but for me the truly Japanese combat aircraft are the Army's Ki-61 Hien and the Raiden. It must have been Revell's exciting box art of the sixties which as a boy inspired my lasting affection for these two airplanes. So they were among the first models that I built in 1/72 (Hien) and 1/32 (Raiden) scales.

Naturally the Raiden was also one of the first when I started my 1/48 collection ten years later. At that time only the Tamiya kit was available. "Only" should be the wrong word since it is a superb model. On the outside - dimensions, shape, fit, panel lines - all look perfect. Even cockpit and details are still competitive by today's standards although a lot can be improved with the latest aftermarket items as we will see. My 1977 model was built out of the box except for an open cockpit and extended flaps. I used the old Humbrol N1 which came very close to "IJNAF green" when I mixed it with the early Humbrol gloss varnish that tended to yellow strongly (see picture below), while for the underside I choose a much too whitish grey. The model represented ƎD-1195 of the 302nd Kokutai, allegedly Sadaaki Akamatsu's mount. This is the history of the model that I recently disassembled and restored.

Rejuvenation

To inspire my Raiden with a second life I focused on the weak spots: cockpit, engine compartment and undercarriage. Let's begin with the front section which challenged my abilities the most. First, I cut the cowl from the main fuselage. This had to be done with care because it is not a natural separation line on the kit. I drilled and sanded off the remains of the molded exhausts, sliced the cooling flaps in order to bend them slightly inward (a typical feature of Raiden flaps when closed), and scraped the front ring of the open fuselage to a sloping profile. Opening the air slots behind the cowling was a delicate job. I used a Dremel saw but more damage was done than I had expected. I spent several hours correcting the slots and inserting the small access panel connectors. Adding new exhausts (Quickboost # 48383) and re-attaching the front section was easier.


The next hurdle was finding a solution for the prop attachment because - disregarded by Tamiya - the aircraft has a fixed ring between propeller and rotating cooling fan. How to fabricate and, particularly, how to fix this with any stability? Groping through all kinds of scrap and metal parts that a household offers I was finally lucky to find an iron separation ring as used between a screw and a nut that possessed exactly the diameter needed. I backed it with a piece of cardboard of equal size in which I fixed two metal pins at the 6 and 9 o'clock positions as on the real plane. These connected to holes drilled opposite in the inner cowling ring. It held fast as hoped and the propeller shaft would pass through to the fan centre. One more separation ring served as a new back plate for the Tamiya propeller.


Next came the cockpit. There are two excellent aftermarket items: the Aires cockpit set # 4538 and the Eduard detail set # 48201. I used both and, although meant for the Hasegawa kit, they fit perfectly inside the fuselage after I had cleaned the walls of the molded detail. Not available was a type 96 transmitter which sits quite prominently behind the pilot's headrest. Nevertheless I removed the kit's insufficient "block" from the rear decking to upgrade this area. I finally found a suitable radio in the scrap box and with some detailing, painting and decals it looks realistic enough.


As can be seen I initially prepared supports for the armoured glass inside the wind screen, which I later shortened as my choice of plane didn't have this feature (see text below). With some regret I decided to hide the wonderful cockpit under a closed canopy because too many of my models have open cockpits and the Raiden looks much "faster" with the hood closed. I took the one from the Falcon 33 IJNAF canopy set - the material is very stiff and hard to work on! (I prefer Squadron vacu parts) - and I made a mistake when I didn't separate the middle and rear sections. I hoped to save time - but no, it was a nightmare getting the unwieldy part to fit the fuselage.


Finally I turned my attention to the undercarriage. Everything was enhanced to create a more authentic appearance: The wheel wells received fake access holes and rounded stringers, the original undercarriage legs (no aftermarket item available) were brought into shape and brake lines added, the wheel covers came from Quickboost (# 48399 - hard to remove from the resin block without cracking the thin parts!). I didn't use the True Details tires which I had bought because they were too wide to fit between gear and door, hence the Tamiya wheels got a second chance. During final assembly I added a few additional improvements like an overhauled oil cooler and new Air Master # 48-021 metal gun barrels.


Conclusion

I favour planes for which photos exist. Thus ƎD-1195 was no longer an option, but I wanted to keep the Yokosuka Kokutai history and after some deliberation choose ƎD-1183. Pictures of this aircraft are shown in FAOW No.61 on p.28 (below), p.69 and (probably) p.10. Its pilot may have been 1st Buntai leader Tai-i (LT) Junro Teramura (Osprey Aces 129) and it was possibly shot down by Major James Trapp, CO of the 78th FS while flown by Chu-i (LTjg) Ei Fukuda on 19 April 1945 (FAOW).


A nice extra feature of this aircraft is that it was one of the few equipped with an oblique firing 20mm Type 99 cannon fitted to the port side below the cockpit. With some care a hole can be drilled at the correct angle with a thin paper rectangle simulating the blast protection.


While building my Raiden model two questions came up that I felt inspired to investigate. Did ƎD-1183 have the early propeller with blades that tapered towards the hub or the later broad-bladed "high altitude" version? I concluded that the former would be more likely. Here is why -
  •  The Tamiya kit contains only the thin propeller... just a joke! 
  • The side gun equipped Raidens were modified from early batches in late summer 1944 (some still were J2M2s). By the time the broad props appeared the oblique-firing concept had proven unsuccessful.  
  • The picture on p.10 of FAOW most likely shows ƎD-1183. The propeller is not visible but the plane next to it - also with side gun - has the early prop. 
  • I measured the width of the rotating blades on the photo above against both variants on other pictures with approximately the same perspective. It appeared closer to the early propeller than the late one.


Was the upward firing cannon removed from ƎD-1183 at a later stage, particularly by the time the picture above was taken?  I would say yes, because -
  • There is no clear evidence of a protruding gun barrel (perhaps or perhaps not).
  • It seems the additional gun sight in the upper left corner of the windscreen, which appears installed on FAOW p.10, has been removed. No gunsight = no gun!? (The location of this gun sight inhibited installation of the armoured glass - as mentioned - which is seen missing in the photo; another reason was weight).
  • The oblique cannons had little effect and were later removed, also to save weight which was critical to reach B-29 combat altitudes.


Concluding my report I'd like to thank Nick for his excellent Raiden Colour Notes that I received just in time to guide my painting of the model. For the topside D2 Green Black Colour I mixed old Humbrol N1, of which I still had an unused tin, and Humbrol 195 "satin green". The J3 Grey undersides are painted with Humbrol 40 toned down with a strong touch of rust brown. Some PC screens may not exactly represent the original colours of my model. I experienced several different hues of green which strongly reminded me of Nick's message about correct colour interpretation!

Michael Thurow

References
 
Japanese Army Air Force Camouflage and Markings WWII, Donald W. Thorpe, Fallbrook, 1968 

Mitsubishi Navy Interceptor Fighter Raiden, Famous Airplanes of the World No.7, Tokyo, 1971 
Navy Interceptor “Raiden“, Famous Airplanes of the World No.61, Tokyo, 1996 
Mitsubishi J2M Raiden, Mushroom Model Magazine Special No.6110, Sandomierz, 2004 
Mitsubishi Navy Interceptor Fighter "Raiden", Mechanism of Military Aircraft No.4, Japan, 2011 
Mitsubishi J2M Raiden, Model Art Profile No.11, Tokyo, 2011
J2M3 Imperial Japanese Navy Interceptor Raiden, Zoukai-mura SWS No.VI, Kyoto, 2013 

Mitsubishi J2M Raiden Colour Notes, Nick Millman, 2015 
J2M Raiden and N1K1/2 Shiden/Shiden-Kai Aces, Osprey Aircraft of the Aces 129, Botley, 2016

Image Credit: All model photographs © 2017 Michael Thurow; Photo of ƎD-1183 from FAOW © 1996 Bunrindo Co.Ltd

Vallejo IJA Colors Set ~ A Visual Appraisal & Commentary

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The Spanish hobby paint manufacturer Acrylicos Vallejo, S.L. have recently released two sets of acrylic paints in their Air War Color Series intended for Japanese aircraft. Art.71152 is a set of 8 paints for 'Imperial Japanese Army (IJA) Colours Pre-War to 1945' consisting of the following colours:-
  1. IJA Dark Green AV71285
  2. IJA Olive Green AV71286
  3. IJA Khaki Brown AV71287
  4. IJA Dark Beige AV71416
  5. IJA Grey Green AV71326
  6. IJA Light Grey Green AV71321
  7. AOTAKE Trans.Green AV71417
  8. Aluminium AV71062
The paints are reportedly intended for airbrush use but have a surprisingly thick viscosity. They come in Vallejo's familiar plastic 'eye-dropper' bottles in an attractive carton featuring a colour photograph of a restored Ki-43 Hayabusa in flight over chips of each paint colour which apart from the aotake are pretty close to their actual appearance, a guide with profiles (shown below) and a brief explanation of the usage of each colour with FS 595 equivalents. Inside the box is a folded leaflet showing the Vallejo paint range.


The first point to note is that some of the Vallejo colour descriptions do not correspond to any official paint colour designations in the IJA KôKaku 39 colour standards. This makes it more difficult to reconcile them without direct comparisons and tends to perpetuate the imprecise understanding of the colours fostered by previous hobby paint ranges.  The second point to note is that this is a preliminary visual and subjective appraisal of painted out samples which have not yet been measured for their precise colour values and it does not take into account any long term curing and colour shift of the paints. There may be updates! A commentary on each paint colour follows.

IJA Dark Green AV71285 - This is similar to the generic IJA Greens in other paint ranges and is compared by Vallejo to FS 34082 which appears lighter and greener. It is a dark, dull olive green and not typical of the stronger greens offered in other paint ranges to represent the so-called 'Nakajima Green' for example.  It approximates # 22 Noh Ryoku Shoku (濃緑色 - deep green colour), but is a little lighter. Probably more useful as a variant of the late war IJA # 7 as applied to some Kawasaki types. 

IJA Olive Green AV71286 - This is meant to represent the late war # 7 olive drab colour and is compared to FS 33070. It is darker and slightly more brownish than the Dark Green AV71285 but slightly greener than FS 33070. It has a good richness of hue.

IJA Khaki Brown AV71287 - This is described as another late-war colour and compared to FS 30118, although it is slightly darker and more greenish. It is similar to the late-war factory paint, a variant of # 7, recorded by Noboru Shimoune as applied to Mitsubishi aircraft like the Ki-67 and Ki-46-III.

IJA Dark Beige AV71416 - This is described as a camouflage colour used in conjunction with Dark Green or as a single upper surface colour and is compared to FS 30215. It is close in appearance to the seventh chip in the Model Art 329* colour chart and described there as cha iro (茶色 - 'tea' colour, light brown or tawny):-

"This colour was used in conjunction with deep-green as a camouflage scheme at the beginning of WWII. Many of the Nakajima Ki-43 "Hayabusa" (Oscar) and Nakajima Ki-44 "Shoki" (Tojo) were camouflaged in this two tone scheme or simply spotted with the deep green over the brown." 

and

"This colour was used on aircraft over the China front. It resembles the colour of the ground surrounding the yellow river in northern China. It was yellow tinged wuth tea colour."

Not really typical of the official IJA colour standards for browns which do not use the term "beige" (katakana: ベージュ beeju), dark or otherwise, but similar to many artistic depictions. It has an appearance between the 'orange-brown' of  # 33 Kaki iro (柿色 - persimmon or shingle colour) and the dark earth of # 31 Cha Kasshoku (茶褐色 - ‘tea’ brown colour, dark reddish-brown or liver colour), closer to the former than the latter. Therefore it perhaps has a certain hybrid/generic usefulness as a simplification to avoid head scratching when pondering black and white images to decide which brown! "More tea, vicar?"

IJA Grey Green AV71326 - This is a distinctly creamy or brownish grey which is compared to FS 36405 and is similar to the late-war factory applied under surface paint on types like the Tachikawa-built Ki-43-III Ko and Nakajima Hayate. It would also be useful to represent the creamy grey reported on some Ki-27 training aircraft. 

IJA Light Grey Green AV71321 - This is similar to generic IJA Grey Greens in other paint ranges and is compared to FS 34424. It is close to the first paint chip in Model Art 329 which is described as hai ryoku shoku (灰緑色 ash green colour), but more greenish than the # 1 colour standard for that colour and as the FS equivalent suggests, similar to the RAF colour Sky. The IJA colour standard sits more typically between the two Vallejo colours so there is an opportunity to mix them to achieve different effects.

Neither of the grey greens in the set represents the more blueish-grey colour seen on some Army types.

AOTAKE Translucent Green AV71417 - This is a surprisingly bright emerald green colour and not typical of the more subtle blue or blue-green hues of real aotake. No FS equivalent is given but it is similar in appearance to FS 14193. It is the only colour which does not look similar to the chip shown on the box. Probably the least useful colour in the set.

Aluminium AV71062 - This is a bright aluminium somewhat between a polished and oxidised natural metal finish.  Impressive for an acrylic paint.

Vallejo IJA paint colours shown by their cited FS equivalents ~ the actual paint colours vary slightly

Like the curate's egg this paint set is good in parts and worth considering for those who like to use acrylics and find Vallejo paints suited to their use. I found it potentially more useful than expected after seeing the colour descriptions and before being able to examine the actual paints. The colours have an attractively subtle and sombre "military" quality that should look good on models in contrast to the brighter national and unit insignia. It is a pity that the designers strayed from official designations and that the aotake and aluminium colours were included in preference to some arguably more useful camouflage colours such as # 21 or # 30. In the UK the cost of the set works out at about £2.30 per paint bottle but I don't know if the paints are yet available separately or will be. The appraisal set was purchased from Everything Airbrush (The Spraygun Company Ltd) in Poole, Dorset.   

Appraisals of the Vallejo IJN and AK Interactive IJN sets to follow. . .

* Camouflage & Markings of Imperial Japanese Army Fighters, Model Art No.329 (1989)

Image credit: All © 2017 Acrylicos Vallejo, S.L.
 

 
 

  

Vallejo IJN Colors Set ~ A Visual Appraisal & Commentary

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Following on from the appraisal of the Acrylicos Vallejo, S.L. IJA paint colours set, Art.71169 is a set of 8 paints for 'Imperial Japanese Navy (IJN) Colours Pre-War to 1945' consisting of the following colours:-
  1. IJN Dark Black Green AV71325
  2. IJN Black Green AV71322
  3. IJN Deep Dark Green AV71310
  4. IJN Ash Grey AV71311
  5. IJN Medium Grey AV71312 
  6. IJN Medium Brown AV71418
  7. AOTAKE Translucent Blue AV71419
  8. Aluminium AV71062
These are also in plastic 'eye-dropper' bottles in an attractive carton featuring a colour photograph of an A6M5 Zero in flight over chips of each paint colour which are fairly close to their actual appearance, a guide with profiles (shown below) and a brief explanation of the usage of each colour with FS 595 equivalents. Inside the box is a folded leaflet showing the Vallejo paint range.


Again the Vallejo colour descriptions do not fully correspond to IJN paint colour designations. This makes it more difficult to reconcile them without direct comparisons and tends to perpetuate the imprecise understanding of the colours fostered by previous hobby paint ranges. A commentary on each paint colour follows. 

IJN Dark Black Green AV71325 - this is described as a one coat upper surface colour as applied by Mitsubishi over ash grey/medium grey or natural metal and compared to FS 34052. It is approximately similar to D1 Deep Black Green but lacks blue-green chroma and is more greyish.

IJN Black Green AV71322 - this is described as representing the upper surface paint of Nakajima-built Zeros and "all kinds of aircraft of other manufacturers", being compared to FS 34077. It is greener than the FS value but duller than D2 Black Green, lacking the blue-green undertone of the original colour. 

IJN Deep Dark Green AV71310 - on the way into green garden shed territory with this one which is described as the upper surface paint applied by Kawanishi and Aichi, being compared to FS 34058. That FS value is the closest to Thorpe's N2 Dark Green but not that close @ 3.99 (where < 2.0 = a close match), being more vibrant and blueish. The difference is shown below.


The two Vallejo Black Greens seem more typical of weathered and aged paint, described the wrong way round, with the colour attributed to Mitsubishi rather more typical of Nakajima and vice versa, although sources do differ on those assertions. The subject is explored in more detail in the AoJ  IJN Greens PDF. The Vallejo colours dry matt which adds to this perception, but they do become slightly richer in appearance with a gloss coat.  The Deep Dark Green is dodgy for reasons beyond the scope of this blog feature but Kawanishi Shiden and Shiden-kai colours were explored here in February and May, 2010, including interiors, but the subject is by no means as straightforward as any confidence in hobby paint sets might suggest! A Shiden colours PDF is scheduled for the AoJ Key Data colour series.

IJN Ash Grey AV71311 - described as the colour for "most embarked aircraft" and in use until 1942/43 it is compared to FS 36350, therefore close to the Mitsubishi Zero early factory colour, albeit just a little darker and browner than the FS value. It lacks the olive undertone of the original paint.

IJN Medium Grey AV71312 - this is compared to FS 36375 and described as used for lower and fabric surfaces. The actual paint is nothing like the FS value which is a slightly violet tinged light blue-grey but is a warmer, more neutral grey closer to FS 36357, so I suspect a typo or something lost in translation here.

IJN Medium Brown AV71418 - this colour is compared to FS 30122 and is similar to many depictions of the pre-war brown applied as camouflage together with dark green to the upper surfaces of IJN aircraft, particularly in the China theatre, but surviving into the Pacific War on types such as the G4M and some floatplanes. The precise hue of this brown is still a matter of conjecture and Japanese researchers have attributed it as H2 more by deduction than proof. The Vallejo paint is a medium to dark reddish brown but not as dark as the prop colour or as reddish as the primer paint.

AOTAKE Translucent Blue AV71419 - more typically blueish-green than the aotake paint included in the IJA set but still more towards green than blue. Although not compared to a FS value, it is similar to Thorpe's N17 Translucent Green.

Aluminium AV71062 - this is the same colour included in the IJA set.

 Vallejo IJA paint colours shown by their cited FS equivalents ~ the actual paint colours vary slightly 

Again something of a mixed bag. The two Black Greens both lack blue-green chroma and tend towards olive greens, which some might prefer but which are more representative of weathered and aged paints. The greys are uncontroversial unless you still believe in 'white' Zeros, but the so-called Ash Grey lacks the distinctive olive undertone of the original paint and the Medium Grey is closer to FS 36357 than FS 36307 which is associated with J3, 2-6 and the fabric dope. The Medium Brown is a catch all and will probably look good with Dark Green on the pre-war types whilst the aotake is more representative than that included in the IJA set. Colours aside, useability appears a matter of preference with some concerns expressed, but seemed to be of more interest than the colours themselves judging by the comments about the IJA set (!). This set was also purchased from Everything Airbrush (The Spraygun Company Ltd) in Poole, Dorset and is the same price as the IJA set.

Image credit: All © 2017 Acrylicos Vallejo, S.L.
   






Fine Molds Tokai 'Lorna' in 1/72

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Due out in July and excellently timed for the new Mushroom Model Publications White Series book on Japanese Anti-Submarine Aircraft in the Pacific War by Ryusuke Ishiguro and Tadeusz Januszewski, is a new release of Fine Molds 1/72 kit of the Land-Based Anti-Submarine Patrol Bomber Aircraft Q1W1 Tokai 'Lorna'. It appears to have new box art but whether the original kit has been modified or added to in any way is uncertain. Price direct from Japan is approximately £15 or US$19. 

This kit seems to seldom get modelled but a fine build by Mr Sugar from Japan was posted here in June 2011 and I look forward to updating that blog's information after the release of the new book.

Image credit: © 2017 Fine Molds via HLJ


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